Singeetham Srinivasa Rao, one of Indian cinema's most inventive filmmakers, leaves behind a seven-decade legacy of fearless experimentation.
Baththa turns a school toilet into the setting for an unlikely redemption story, turning itself into one of 2026's warmest feel-good entertainers.
Looking at the best Tom Cruise films outside the Mission: Impossible franchise that proves just how versatile the superstar can be.
From superheroes and aliens to witches, ghosts and shape-shifting mutants, these 10 Bollywood women prove that supernatural powers come in all shades of mischief, menace and magic.
Sigma has the ingredients for a kickass heist thriller, but Jason Sanjay's debut gets hopelessly lost in its lazy writing and bland execution.
From unexpected cameos to sneaky Easter eggs, these Hindi films have quietly created some wonderfully weird cinematic universes of their own.
Six newcomers make their acting debut in Anuj Saini's buddy romance, Pehla Pyaar Doosri Baar.
As Nani gears up for the ambitious The Paradise, we look back at his most memorable performances, from a vengeful housefly to a fiery revolutionary and to a Saturday-only action hero.
Mirzapur: The Movie has achieved a superhit opening weekend, demonstrating potential to join the Rs 200 crore club, despite being an experimental film adapted from an OTT series without conventional star power.
From Ustad Hotel to Salute, these Dulquer Salmaan Malayalam films prove why his homecoming with I'm Game is worth celebrating.
The cast, once again, remains the biggest reason to invest in this world, notes Mayur Sanap.
Mirzapur: The Movie brings back some familiar faces, resurrects a few dead ones and adds a fresh crop of actors to its blood-soaked big-screen world.
'We thought if we made the show, people could get into it.'
Marvel has unveiled its list of essential movies and one show to watch before the highly anticipated Avengers: Doomsday.
Sukanya Verma quizzes you to find out just how much you know about the movies.
Not every Indian superhero movie lands, but these seven prove the genre has plenty of potential.
Senior BJP leader Rajendra Rathore has formally objected to the use of a song dedicated to Maharana Pratap in "Mirzapur The Movie", demanding its removal from the Central Board of Film Certification. Rathore argues that using the historical song in a scene with criminal characters disrespects Maharana Pratap and hurts public sentiments. The song's composer, Rapperiya Balam, also claims it was used without his permission and that its placement glorifies villains, insulting Rajasthan and Maharana Pratap.
From Alia Bhatt-Ranbir Kapoor to Nazriya Nazim-Fahadh Faasil, these real-life celebrity couples have continued their romance on screen after marriage, giving us everything from crackling chemistry to intriguing cinematic collaborations.
Sukanya Verma quizzes you to find out just how much you know about the movies.
The legal battle between former Indian cricket captain Sourav Ganguly and the makers of the film Doosra perfectly highlights the tension between broadcast licensing and a celebrity's personality rights.
Watching Udta Teer's refreshingly cheeky ambition dumb down into a grovelling piece of gutless filmmaking is supremely disappointing, notes Sukanya Verma.
Tiger is collaborating with Karan Johar's Dharma Productions for an upcoming revenge action-romance film titled Lag Jaa Gale.
Despite its monumental success as a Hindi blockbuster, the Telugu-dubbed version of Hanuman Ansh has not done well.
From Shahid to Prahaar: The Untold Story of Ujjwal Nikam, these films bring real-life lawyers, landmark courtroom battles and extraordinary fights for justice to the screen.
Sukanya Verma quizzes you to find out just how much you know about the movies.
The Delhi High Court has asked the makers of the film "Doosra" to respond to Sourav Ganguly's plea regarding the violation of his personality rights. The court also requested a screening of the movie, which was released on Friday, to determine if rights were infringed. Ganguly's legal team claims no license was obtained, while filmmakers argue it's not a biopic and permissions were secured for clips.
Shaque: Trust No One has a promising mystery and enough juicy red herrings to keep you guessing, but its convenient writing and dated clichs eventually derail the show.
Dhanush attends the premiere of Rajinikanth's highly anticipated film Jailer 2 in Chennai, as fans across India erupt in grand celebrations.
From Salman Khan's cheeky advice to Varun Dhawan to Kareena Kapoor Khan and Shahid Kapoor's reunion, the IIFA announcement in Mumbai was a starry affair.
After a recent theatrical re-release, Avengers: Endgame has once again surpassed Avatar to reclaim its title as the highest-grossing movie of all time, generating USD 2.925 billion worldwide.
As Bethlehem Kudumba Unit reaches JioHotstar and Premalu remake reaches theatres, we rank Girish A D's films from good to awesome.
Chaar Yaar offers an entertaining mix of friendship, crime and the charm of old Mumbai with a happy ending, observes Divya Nair.
Parineeti Chopra, last seen in Amar Singh Chamkila, is set to make her comeback with Malamaal Weekly 2.
Nayyi Navelli is a chaotic and forgettable cinematic experience, struggling to blend mythological, horror, and social commentary into a cohesive narrative, observes Sukanya Verma.
Unlike Pyaar Ka Punchnama, which was insensitive to its female cast as well as the audience, Pehla Pyaar Doosri Baar allows its characters a little more room to breathe, express themselves and put forward their points of view, discovers Divya Nair.
Manoj Bajpayee has the fluctuating mood graph of his character down path whether hustling away his quick-witted energy in good faith or greed. It's a tricky terrain but few understand balance like this man, observes Sukanya Verma.
Cast and crew of Prahaar: The Untold Story of Ujjwal Nikam watch the film together.
Babita Singh Reporting goes past the messy homes and humming markets to reflect the daredevilry of a protagonist coming into her own. What ensues is a raw and thrilling marriage of momentum and meltdown across awkward inquiries made within junkie hideouts, suspicious relatives, battered classmates and Ravan's effigy, applauds Sukanya Verma.
From Azhar and Sanju to Thackeray and Swatantrya Veer Savarkar, Bollywood has often struggled to tell controversial true stories without turning their subjects into heroes.
It does look at times as if Tu Hai Meri Kiran is going off the rails, but Director Karan Rawal brings it to a satisfying close, which is believable even in a fanciful set up, notes Deepa Gahlot.
