'We don't make films for profit and that's exactly why profit follows.'
'Playing a rape survivor can't ever be compared to actually being one.'
A romantic drama set against the scenic backdrop of Japan, exploring a unique love story born from a wish and a day of temporary amnesia.
Before Dhurandhar: The Revenge releases, let's take a look at Aditya Dhar's remarkable journey from being an assistant director to helming India's most successful film.
Mumbai police have registered a case against a man accused of cheating actress Varsha Usgaonkar and four others of Rs 47 lakh with promises of high investment returns.
'Every good, bad, right and wrong were necessary to teach me, and take me where I stand today.'
'I may be known in the South but in Bollywood, no one knows me, not yet. I just wanted to be seen.'
Make the effort for Boong, Mayur Sanap insists. Watch it, and experience its quietly heart-aching beauty.
Namrata Thakker picks 6 cine ways to celebrate Maha Shivratri.
Doctor on Salim Khan: 'Unko thoda haemorrhage hua tha, which we've tackled.'
French President Emmanuel Macron's recent state visit to India concluded with a tribute video featuring the title track from the Hindi blockbuster 'Dhurandhar,' sparking widespread social media buzz.
After S S Rajamouli's Varanasi, Priyanka Chopra will be seen in Hrithik Roshan's Krrish 4.
Janhvi Kapoor, Sara Ali Khan, Ananya Panday, Suhana Khan and Shanaya Kapoor continue to shine in Bollywood in 2026, reinforcing their presence as the industry hunts for reliable next gen talent.
Tu Yaa Main feels rather indulgent for a survival drama. You can see where it's headed, and it just grows tiresome after a point, observes Mayur Sanap.
As Arijit Singh announces his plans for retirement from playback singing, we look back at his most popular Hindi film songs.
'After Saiyaara, a lot of confidence has come in. Hindi is now looking good, especially with Dhurandhar 2 expected in March.'
'Finding it on screen because I am not getting it in real life.'
'Established filmmakers want to go with the sequels of earlier hit films like Housefull 5 or Mastiii 4. They don't want to come up with fresh ideas. This is pure laziness.'
'Somewhere our society's collective morality is lost. There's a kind of moral confusion in our society which reflects in our films.' 'Filmmakers are hiding behind romance, ghost stories, murder mysteries and sex. No film is looking at social issues.'
Nyrraa Banerji's reason for staying away from Bollywood for a while: 'In Bollywood, there was a phase where all the movies were getting very bold. Physical intimacy was the criteria at that time for films. I didn't want to be part of that.'
Siddhant Chaturvedi is all set to play the doyen of Marathi and Hindi cinema, V Shantaram.
Dhurandhar does not ask audiences to cheer blindly, notes Kumar Abhishek. It asks them to see how power operates in grey zones, and at moral cost.
'If you look around the world at people of colour, religion, caste, sexuality or any of the marginalised communities, we are always talking in numbers.' 'We are always assigning them a statistic.' 'That is an easy way to assuage your urban guilt. Because you hide your apathy with hollow sympathy.' 'We are, in a way, making them invisible.'
Gustaakh Ishq feels like a cinematic revival of everything we once loved about Urdu story-telling, observes Syed Firdaus Ashraf.
'Most of us try to be good human beings; he was genuinely a good person.'
Christmas Karma narrowly misses being a highway pile up, mainly because its heart is in the right place, believes Deepa Gahlot.
It's been a while since Hindi cinema had a zany, well-written comedy, applauds Deepa Gahlot.
Dharmendra got his He Man image with Phool Aur Patthar, which was so strong that he never managed to fully shrug it off.
'Whenever offers came my way, it always felt like people in Hindi cinema hadn't really seen my Punjabi work.'
'It feels like the universe gently whispered, 'Pause, don't rush away yet, there's a story waiting for you here'.'
'I was shooting for DDLJ when my husband passed away.'
As the year draws to a close, Rediff's Senior Contributor Roshmila Bhattacharya takes a look at the hits and misses, the highs and lows, the newsmakers and the dealbreakers in alphabetical order.
Aseem Chhabra ranks the Best of 2025's films that released in theatres, or went directly to OTT platforms.
Kis Kisko Pyaar Karoon 2 may be a comedy filled with chaos, but in its indirect way, it speaks about a time when the Constitution mattered more than one's religion and when the idea of India was larger than personal hate, observes Syed Firdaus Ashraf.
Rajinikanth may have made his last Hindi film two decades ago but he can still set the screen alight, blazing away with a gun that has dozens of barrels. As Thalaiva turns 75 on December 12, Dinesh Raheja looks back at his 17 year journey in Hindi cinema.
'Dilipsaab was an interesting mix of spontaneity and stylised acting.'
Kamini Kaushal, who began her career with the 1946 classic Neecha Nagar and went on to act in a host of films right till 2022, passed away in her Mumbai home on Thursday night.
New York's newly elected mayor, Zohran Mamdani, flaunted his Indian roots during his first victory speech, quoting Nehru and playing 'Dhoom Machale'.
We look at the longest Hindi movies through the years, and interestingly, most of them have done well.
Dharmendra remained one of the most loved stars of all time, even when his movies tapered off, and age caught up with him.
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