Lines get crossed in this Malayalam movie.
The film is just an average kidnap drama with ample dose of comedy.
The film is loud and regressive but the family audiences might enjoy it.
It feel that script writer Anoop Menon is trying to get even with the detractors who criticised his film Trivandrum Lodge for being lewd and vulgar.
Unlike the original, the sequel fails to deliver.
The film goes awry towards the end.
Most of the actors in the film seem to be sleepwalking through their parts.
The remake of 1970's hit film, fails to connect with the audience.
The film has an intelligent story, a multi-layered screenplay, excellent cinematography and powerful performances.
The film tries hard to be like a a stylised Quentin Taratino-esque fare.
The film is worth watching should be watched for the performances by the lead actors.
Touted as the most expensive film in Malayalam cinema, the film offers little scope for Mohanlal to perform.
Paresh C Palicha feels if a little more thought had been given to how the film should progress in the second half then Lucky Star could have been better.
Malayalam film Rebecca Uthup Kizhakkemala is like a TV serial on the big screen.
writer director A K Sajan's latest venture with Asif Ali in the lead is a sequel of Stop Violence but doesn't work as well.
Directed by Saji and Surendran with Jayasurya in the lead, Kunjaliyan is supposed to be a comedy but it disappoints.
It is high time Shaji Kailas reinvented himself rather than just recycling his old films in the hope of repeating their success.
The film is about a day in the life of four perfectly etched characters who give a flawless performance.
Jayasurya is the only saving grace as he gives a good performance.
The high voltage drama film is not enacted in an exciting manner.
The film has to be watched for its whackiness and unadulterated laughter
The film rests on the Malayalam actor's able shoulders.
Even Mohanlal could not save the film with his performance.
Directed by the veteran Rajasenan, Innanu Aa Kalayanam features a bunch of youngsters, but signals the lowest point in his career.
Actors Mammootty and Dileep are let down by a bad film.
With a Hindu Muslim backdrop, the film lacks intensity expected from such films.
The film is a typical multi-starrer that is made with an eye at the box office with not much depth in the subject.
This experimental film with youngsters is isn't as good as director B Unnikrishnan's previous films.
The movie is too loud and unrealistic and has precious little to say of any worth
The film has some funny and entertaining sequences which surely make the audience laugh.
The film is not as good as drector P T Kunhi Mohammed's previous works.
The film cuts a sorry figure as a mass entertainer, mixing up various genres, and lacks cohesion
Director Vyshakh tries to do a Dappan Koothu on Bhangra beat and virtually falls on his face.
The film is a brainless comedy and not the kind audiences may like.
Mohanlal's performance keeps the audience engrossed to the film.
Marykkundoru Kunjaadu brings Dileep back to the territory that has endeared him to his viewers.
916 ends up just being preachy at the cost of telling a good story.
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