The 24th edition of the Zee Cine Awards 2026 took place at the Dome SVP Stadium in Mumbai. A look at the wow red carpet moments.
Discover the latest OTT releases, streaming in the month of March.
'I don't think I have any fan in the house.'
'Every good, bad, right and wrong were necessary to teach me, and take me where I stand today.'
It is a pleasure watching Pankaj Kapur and a radiant Dimple Kapadia, two outstanding actors effortlessly portray complex emotions in Jab Khuli Kitaab, raves Deepa Gahlot.
Romance and action rule the roost on this week's OTT special. Take your pick from Sukanya Verma's eclectic menu.
What Subedaar lacks is that element of surprise that makes a film worth the viewer's time and willingness to engage, observes Deepa Gahlot.
2025 started with a blockbuster in Chhaava and ended with an even bigger one in Dhurandhar. There have been other Hindi hits too, and we take a look at the Top 10.
A look at the stars who attended the Jolly LLB 3 premiere.
The year had a variety of films to choose from. Not all of them were successful at the box office, but had merit.
Akshay Kumar, Arshad Warsi and Saurabh Shukla are in top form in Jolly LLB 3, applauds Deepa Gahlot.
From the swag displayed in the King teaser, there is no dimming of the klieg light of his superstardom... yet, notes Deepa Gahlot.
The trailer of Jolly LLB 3 shows the two Jollys pitted against each other, which is a very clever idea, because both stars are terrific with comedy, notes Deepa Gahlot.
November is a busy month on OTT with several series arriving, in their next season after being vastly successful in earlier instalments.
ABVP won all six posts -- president, vice-president, general secretary, joint secretary, cultural secretary and sports secretary -- in the elections held on September 19, a press release said.
Jolly LLB 3 is all set to go past the Rs 100 crore mark, what with Rs 53 crore already being scored in the first three days itself.
Reader Vikram Bansal has sent us aphotograph.
September is going to be an exciting month in theatres.
Maalik is just unpleasant, not even slightly engaging, observes Deepa Gahlot.
Satyajit Ray anticipated the issues we are only now starting to raise, long before large language models, AI chatbots, predictive algorithms, and autonomous systems began to control every bit of our lifestyles, notes Atanu Biswas.
'The audience wants content.' 'If your trailer lands, if your teaser runs, if people like the songs, they will definitely come.'
Rajkumar Gupta's hammy treatment and bombastic score strips the realism to turn Raid 2 into another hail the hero exercise, observes Sukanya Verma.
Kajal goes purple... Radhikka's afternoon cuddles...Flashback Satya...
Twenty seven years after it first released in theatres and became a cult classic, Ram Gopal Varma's Satya returns to the big screen.
While Satya's pleasures are palpable -- among them the poetry of the coarse language, the mercifully rough-hewn texture, the oh-so-familiar underdog story -- these pleasures hit you at a completely different speed. The movie is charged with a sense of discovery, and every shot is a cornucopia of details existing independent of the main story. It's touching, notes Sreehari Nair.
So many movies are coming up for release in 2025!
The state government cancelled the exam on March 2, following reports that the paper was leaked.
Sci-fiction buffs rejoice, there's much spectacle to behold on OTT this week. Sukanya Verma gives her recommendations.
There is an authenticity and sense of purpose about Dry Day which is appealing, observes Deepa Gahlot.
Dahan is an engrossing watch with the right amount of scare, observes Namrata Thakker.
Elli AvRam steps into Urmila Matondkar's shoes for Chamma Chamma.
Don't go near this torture, Urvi Parikh warns.
Sukanya Verma looks at all the significant bald imagery of Bollywood through the years.
Crime, climate change and cool Oscar winners dominate the OTT menu this week.
Babli Bouncer is a one-time watch, courtesy Tamannaah Bhatia's acting, observes Namrata Thakker.
Even as our tier-2 and tier-3 cities become increasingly well-mapped, and well-documented through myriad tech-driven data, the Indian film-maker's dominantly urban gaze turns to regions not crowded by data, area codes, or directions, observes Debarghya Sanyal.
Ten sequels that either complemented the first or surpassed it.
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