'The story ends at the end of this season; I don't know if they will extend it. It's a fairly solid conclusion (but) there is always scope for more.'
'I hate 'fakeism'.' 'People don't love who you are, they love what you have achieved.' ' Only your success counts.'
Sacred Games 2 is an upgrade, and is shaping up to be one of India's great cultural events, feels Sreehari Nair.
Horror, drama, romance and action... it's all on your plate this year!
Trapped is not an easy film to stomach, says Sukanya Verma.
Sukanya Verma lists her favourite songs of 2018. Are these on your playlist too?
Hrithik as Krrish or Anil Kapoor as Mr India? Take your pick!
'What would a composite of Dawood, Rajan, and Arun Gawli be like?' 'What if an absconding mafia boss were to land in Mumbai tomorrow, tired from all the running, and tender his final apology to the city by narrating his story and narrating it with brutal honesty?' Sreehari Nair watches Sacred Games.
Bhushan Kumar sacks Subhash Kapoor as director of the Gulshan Kumar biopic.
Sukanya Verma looks back at the decade gone by, in the movies.
If one drops the book-versus-series chatter, is Sacred Games watchable? Very much so, promises Vanita Kohli-Khandekar.
Find out which films make it to Sukanya Verma's Top 10 of the year!
Amazing stories about some of our best loved movies from Bhavani Iyer who wrote them.
'I would never celebrate the success of my songs, be it with Baar Baar Dekho or Dear Zindagi. With Jahan Tu Chala, I made it a point to enjoy its success.'
'The idea is to do everything, be creative... do mad stuff.' 'Then, you come home and live your life.' Saif Ali Khan reveals his game plan.
A week of bumping into trapped souls, savouring Achari Alia Paneer, envisaging Kishore Kumar crooning Kajrare and celebrating one year of Sukanya Verma's super filmi column.
An online platform suits many new angel investors who are professionals with tech companies or start-up founders.
There's a lot happening in Bollywood, Hollywood and world cinema this year.
'Who will cast me?'
'It's all about how many Instagram followers you have, which ramp you're walking on,' the actress who is sensational in Sacred Games tells Rediff.com's Ronjita V Kulkarni.
'At the end of the day, stars are actors.' 'They love performing. And the more challenges I feel that you end up giving stars on the sets, the happier they are.'
'It's very tough for someone, who doesn't have a filmi background, to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that. I must have given 30 auditions for films alone.' Rajkummar Rao survived the struggle to give us some brilliant films.
It reminds us why we like to watch films, writes Aseem Chhabra.
Radhika Sharma/PTI catches up with the stars at the international film festival in Goa.
Which one are you looking forward to?
'I find it hard to watch my own films. I prefer to watch my face when it is covered with some facial hair. I like certain moments in my films. Most of them are in Lootera.'
Chaar Cutting is the perfect choice for the YouTube generation -- rich in variety and easy on the attention span, writes Paloma Sharma.
Hasee Toh Phasee takes a familiar premise -- two people on the brink of tying the knot and introduces a third party to cause expected stir. Only it doesn't happen like it used to, writes Sukanya Verma.
'You don't need a godfather to protect you from dangers of Bollywood because nobody will.'
Sreehari Nair is *not* impressed by this lot of films at all.
Sobhita Dhulipala makes her debut with Raman Raghav 2.0.
Lootera is a gorgeous, gorgeous film, one that uses its period setting affectionately, with loving detail, and not exploitatively, as our cinema is wont to do.
'We still look at films with A-listers.' 'There is change, but it's minor.' 'We still haven't learnt how to invest in stories.'
Aseem Chhabra's recommendations for the Mumbai film festival.
'The standing ovation in Cannes was a rare moment where I felt patriotic. I realised that the audience was not clapping for an individual but for the team that came from India with such a beautiful film.' Masaan's leading man Vicky Kaushal takes us through its making.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
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