'...But my strong suit will not be dancing,' Kal Penn tells Vaihayasi Pande Daniel/Rediff.com, in the concluding part of the interview.
'Bollywood runs on the idea of age.' 'The moment you're single, even if you're 40, you're still appealing, you're still young.' 'The moment you're married, even if you're 25, it's uh huh. She's not sexy anymore.'
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
Bollywood celebrities mourn the death of the charismatic actor.
'Single life is pretty good. I like the attention. If I feel lonely, I just call my mom and she sleeps in my bed,' Kalki Koechlin tells Rediff.com contributor Paloma Sharma.
Talvar is a cleanly-crafted film, says Raja Sen.
'This is a giant film, a magnum opus drunk on its own magnum-ity, and it is perfectly clear early on, as the narrative races out the gate and gauntlets are flung up in the air and shot through with arrows, that a film like this can only work as opera,' says Raja Sen.
'My type exists in heaps -- millions really -- cheering, cussing and calculating from the comforts of our living room as if the television screen can magically convey our woe or wisdom to the player.' 'Except without our frantic cheering, irrational logic and infectious gusto, the sport would have half its appeal.' Sukanya Verma on what it is like to be the Indian Cricket Fan.
India scored at the recently-concluded Telluride Film Festival, reports Aseem Chhabra.
A hard, unrelenting film that doesn't give in to over-sentimentality, Citylights is like the city of Mumbai -- it beats you down and when you are broken, takes you in its arms and loves you. Suparn Verma, who has directed films like Aatma, Acid Factory and Ek Khiladi and Ek Haseena, raves about the film.
'Films will come and go, some will do really well and some will be okay, you have to learn from that and move on. But rest assured, you know one thing: they (audiences) love you, and that's the most important thing. And you love them back, probably twice as much.' Jimmy Sheirgill gets candid.
'At a festival that has shown so many brilliant films, I cannot be more thrilled to receive this award,' said Slave's director Steve McQueen.
Madras Cafe is a swift, smart and serious study of an inglorious chapter of history, writes Sukanya Verma.
'Woman need to be respected much more in our country. But choices should be allowed for women as well as men. I don't care about the box office collections of Ki & Ka; I care about the thoughts and conversation that it brings on. Every actor has that one film in their filmography where they pushed the envelope further.' Arjun Kapoor takes on new challenges with Ki & Ka.
Pavan Malhotra, one of our finest actors, shows us another side of Bollywood.
'I loved doing Bunty Aur Babli. I love working with Rohit Shetty. I just shot for Dilwale. Kuch bhi karva leta hain mujhse (he makes me do anything)!' I worked in Jolly LLB for free. It was just a night's work. We laughed till we died during the shooting. It was such a cute character!' Meet Bollywood's busiest actor, Sanjay Mishra.
'When the same rotten paratha is served to someone year after year, it shocks them when all of a sudden there is a change in taste.' Kay Kay Menon justifies why he took up Yudh.
'Salman has changed a lot in the past few years. He was totally different when I shot with him for Jai Ho. He has mellowed down, but I don't like him like this.'
'It's very tough for someone, who doesn't have a filmi background, to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that. I must have given 30 auditions for films alone.' Rajkummar Rao survived the struggle to give us some brilliant films.
Amitabh Bachchan talks about Te3n, Aaradhya and actors he would love to work with!
'The fragility of this case is that taking a side could be a fallacy to do. Because you don't have all the answers. So how do you take one particular side?' Meghna Gulzar asks Vaihayasi Pande Daniel/Rediff.com
'Director Ali Abbas Zafar has directed a monstrous film, one with a repellent 70s-set storyline that makes no sense whatsoever, and a cast who should all hang their heads and offer up a minute's silence for assaulting their respective filmographies,' says Raja Sen after watching Gunday.
Haider is a remarkable achievement and one of the most powerful political films we've ever made, a bonafide masterpiece that throbs with intensity and purpose.
'People ask me if I miss living a normal life, since I don't have privacy, and I tell them I don't want to have a normal life. I want people standing outside my house, I want to be loved by them. I have been fortunate enough to live like a star for 25 years and I would like to die as a star.' Shah Rukh Khan, unplugged.
'My mother has one complaint -- I die in all of my films. She has told me to stop dying now.'
'Acting is a very crazy profession to be in. Mentally and emotionally we have to go into a particular zone and come out of it and keep on doing it. I am sure acting takes a toll on everyone and maybe that's why logon ko actors pagal lagte hai.' In the second part of a fun conversation, Tabu shares some beautiful nuggets with Rediff.com's Savera R Someshwar and Sonil Dedhia.
'I had seen Waqt, starring Balraj Sahniji, and I can never forget it. There is a happy family and an earthquake later, everything is gone. That movie got stuck in my head. How one man loses his entire family and becomes a pauper. The same thing happens in Airlift.' Akshay Kumar, and his lovely leading lady Nimrat Kaur discuss their latest film.
y talking about her struggle with depression, Deepika Padukone has exposed the stress-filled lives of filmstars say Ranjita Ganesan and Veenu Sandhu.
'It was impossible to please everyone with Amy Winehouse's story because it is complicated and dark. Everyone has his or her own version of what was going on and I found myself caught in the middle of it.'
'There are times when you feel, you know: "Oh these are parents who committed murder".' 'There are times when you feel: 'No, no, the parents were innocent.' 'There is a fine line between guilt and innocence, which I found very interesting to portray.'
'With Tanu Weds Manu, I discovered myself.'
Raja Sen feels The Lunchbox id this generation's Masoom.
'I don't prepare (for a character), I become it. I don't have to think about a character too much, I become it. I give a lot of attention to detailing. Once I become the character, I go and deliver the scene.' Aishwarya Rai Bachchan gives us an insight into her life.
Saurabh Shukla, Piyush Mishra and Sanjay Mishra are not likely to be in the limelight when a film releases, but they are the ones who eventually light up the movie.
'I don't know how they dared to send Krrish for a National Award. It was a horrible film! Films like Dabangg and Bang Bang are trash films. Goliyon Ki Rasleela: Ram Leela was so bad; only the music was good. Straight talk from Garm Hava director M S Sathyu.
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