Bang Bang is a B-grade film made on an A-list budget, says Raja Sen.
There's enough emotion in every single frame to break your heart, Paloma Sharma says after watching Asif Kapadia's documenatary Amy.
Harshvardhan Kapoor's vigilante film, Bhavesh Joshi, made Sukanya Verma look back at Bollywood's original vigilante and Harshvardhan's father, Anil Kapoor, in and as Mr India, which released on May 25, 1987.
Sukanya Verma pays tribute to Robin Williams, who passed into the ages on August 11.
Things are off to a good start when a lead movie character appears for the first time against strategic music or swaggering drama and the audience bursts into wholehearted whistles and applause.
Comedy may be challenging but that wasn't what stressed Taapsee Pannu during the making of Judwaa 2.
What if these old classics were made in today's times? Sukanya Verma figures it out.
Singh is Bliing is far too moronic to be saved, says Raja Sen.
Become an icon of culture and style with these beautiful fashion trends.
The first half of Dishoom is breezy and snappy, and the increasingly irrepressible Varun Dhawan is on point, feels Raja Sen.
Half a dozen reasons why Sridevi is to the camera born. Sreehari Nair lists them out.
Zed Plus allows a bunch of talented actors to rise above second rung roles and take centre stage, says Sukanya Verma.
As Imtiaz Ali's Jab Harry Met Sejal releases, Aseem Chhabra feels it's the best time to revisit the Hollywood classic When Harry Met Sally, which tries to answer the question in the title of this feature.
Bhoothnath Returns starts off with a fascinating premise but drags towards the end, says Sukanya Verma.
The comedian and vlogger shares some life lessons...
'The passing away of his mother just days before the premiere of his first film, his controversy with terrorism, his relationship with his father, his best friend, the women in his life... everything was shocking for me.'
It only takes seconds for someone to judge us.
Bollywood inspired weddings, Dharmendra's cringe-worthy attempt at realism, Sridevi and Aishwarya's painful connection and more in Sukanya Verma's Super Filmi Week.
At the peak of his popularity and charisma, filmmakers considered him a bigger draw than the leading man and often remunerated him with a higher fee than the hero.
Sukanya Verma's super-filmi week was high on drama.
Oh the possibilities!
In a world now over-stuffed with comic-book movies, X-Men: Apocalypse is far from being the finest movie yet may well rank among the most comic-booky, feels Raja Sen.
The film's mechanics and motivations are laughable, says Raja Sen.
On the actor's 54th birthday on November 2, we write another tome about the boy with big dreams and a regrettable haircut, who defied incredible odds to become one of the most loved actors on the planet.
It was a crazy week for the world. Sukanya Verma cannot claim to be any different.
Ghostbusters may not be a classic, but the laughs it earns are all its own, says Raja Sen.
'They are perhaps the only night when the stars, those celestial seraphs, become as vulnerable, as doggedly human, as the rest of us.'
Oscar 2015 host Neil Patrick Harris has several big shoes to fill in.
A look at all the times Goa played Bollywood's favourite getaway on screen.
'This colliding of worlds is a feature of chawl life in Mumbai, where the clashes in one household often become prime-time television for the neighbours; where the boundaries of good sex, lechery, and incest are frequently blurred,' says Sreehari Nair.
You'll be hard pressed to find another hero so totally, awesomely Super, insists Raja Sen.
Athiya shows potential, Sooraj his physique in Hero, says Sukanya Verma.
Having established its licensing business for a decade, it is tapping real estate to build on its themes.
Even though its not completely the foodie feast the title suggests, Daawat-E-Ishq is a breezy exercise, feels Sukanya Verma.
PK is no satire -- it's a bit too toothless for that -- but it is a rollicking mainstream entertainer with ambition to evoke some introspection, says Raja Sen.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.