A look at the top tweets from your favourite Bollywood celebrities.
'Even when he moves beyond his traditional repertoire, he sticks to a template that does not take him too far from the viewer's gentler emotions,' notes Vikram Johri.
'If we manage to transform even one homophobic person, that will be a victory for the film.'
'It's also a movie-crazed kid's idea of a great time,' discovers Sreehari Nair.
'I don't get angry in real life and to get this anger out in front of the camera was tough.' Varun Dhawan gets ready with Badlapur.
Which movies should you watch in the coming year? We draw up a list.
'Some asked why Budapest?' 'I had two relatively new actors and a limited budget; Budapest gives you a rebate.' 'We have spent around Rs 32, 33 crores, which is very good.'
Here's a look at the top 10 tweets from your favourite Bollywood celebrities.
Raja Sen looks back at the good things that happened in Bollywood in the first half of 2015.
Business is better than usual in Bollywood.
Looking at the Hindi film heroine at her thrilling best.
A look at the top tweets from your favourite Bollywood celebrities.
A look at the top tweets from your favourite Bollywood celebrities.
'No short cuts, no sensationalism, but sheer talent is responsible for Nawaz's position as one of the finest actors of his generation.'
Here's a look at the top 10 tweets from your favourite Bollywood celebrities.
'What we have is 'masala redeemed' as opposed to just 'masala resurrected',' argues Sreehari Nair.
A look at the top tweets from your favourite Bollywood celebrities.
Several parts of Drishyam work but the film is more tackiness than craft, says Raja Sen.
'If you can tell the quality of a movie-watching experience, only and only by referring to set standards, you *aren't really* going to the movies,' argues Sreehari Nair.
Pulkit Samrat and Yami Gautam have some fun, as they promote their latest film, Sanam Re.
A look at the top tweets from your favourite Bollywood celebrities.
With four back to back hits, the shy lad from Chandigarh is an unlikely movie star. Ayushmann Khurrana tells Ronjita Kulkarni/Rediff.com how it all came together and how he prepares to confront the toughest three months of his life.
Old songs, retro fashion, 1980s pop culture, childhood icons and sharing space with Kundan Shah on paper, the theme of Sukanya Verma's super-filmi week was consistently nostalgic.
Aseem Chhabra picks the scenes that left him impressed this year.
'This colliding of worlds is a feature of chawl life in Mumbai, where the clashes in one household often become prime-time television for the neighbours; where the boundaries of good sex, lechery, and incest are frequently blurred,' says Sreehari Nair.
Sukanya Verma recaps all the action at this year's MAMI.
'There were certain ideals and morals that I had started bending as I was climbing up in the industry.' 'I was unknowingly hurting people close to me, unknowingly treating people the way I wouldn't want to be treated myself.' 'But I am not that person and I didn't start off like that.' 'Then the introspection began.' 'Very rarely does that happen when you do a film.' 'I was feeling unhappy as a person. Now I am much happier.'
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
'The critics were writing so well about me, I was shocked!' 'My phone didn't stop ringing!' 'This is the biggest tribute for a senior actor.' 'Now, I can pack up.'
'In Sanju, Rajkumar Hirani has essentially found a Rajkumar Hirani story buried inside Sanjay Dutt's life.' 'Now if you think that's scary, sample the alternative: Perhaps Sanjay Dutt had been living his life to suit the narrative of a Rajkumar Hirani film,' says Sreehari Nair.
'The directors of these movies to me are less like artists and more like red-pen remarkists, whose idea of a script is basically checking off the broadest of issues in the broadest possible ways: Sexism, Check. Misogyny, Check. Loving yourself, Check,' says Sreehari Nair.
A big part of October's charm is in its taking of a cinematic tragedy and presenting to us how we may experience it in real life, says Sreehari Nair.
Preetisheel Singh lets us into some star secrets.
Badlapur is all fury and fog, a revenge saga that plays out with great eyebrow-singeing intensity, says Raja S
'Pink a movie that's assembled especially for that section of prejudice-free Indians who are all on this side of the screen.' 'Look...there's virtuosity staring at you, 24 Frames per Second.' 'Soak it in; more power to the revolution, more wax to the candlelight vigils,' says Sreehari Nair.
'In Vishal Bhardwaj's now fully set world of manufactured poetry, characters wear their emotions at their most prescribed anatomical positions -- courage on their chins, pride over their chests, and innocence in their faces,' observes Sreehari Nair.
Brilliant cinema at the ongoing Mumbai Film Festival, raves Sukanya Verma.
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
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