The Tamil film has an interesting collection of songs.
Santhanam is the only reason you could sit through most of the film.
Directed by debutant director Shantakumar, the movie starts off as a cliche but the climax comes with an unexpected twist.
Director Thiagarajan's re-worked Mambattiyaan, starring Prashanth, is lacklustre.
The music carries a heavy 1980's flavour but doesn't really impress.
The film has a healthy dose of humour.
Despite a few sagging moments, Poraali works because of its one-liners humour and message.
Had Sathyasiva managed to keep proceedings as interesting as he does in the first hour, Kazhugu would have turned out a classic.
Director S Narayan has tried a novel way of picturising a love story.
The music scored by Karthik, has its interesting moments, but its lyricists score better.
Despite the interesting milieu, the movie loses out on the most basic requirement -- the story.
The album has nothing new to offer.
For its unconventional story-line, protagonists and plot-points, Azhagarsamiyin Kudhirai is a must-watch.
Vaanam with an ensemble cast, is a reasonably good story, with just a few minor lapses.
Sharreth seems to be a music composer who doesn't play by the rules.
Ponnar Shankar is a remarkably dull Tamil movie.
The Tamil film takes itself too seriously.
Kullanari Koottam, starring Vishnu might lack logic but it does a reasonably good job at romance.
The film could have been better if it would have been half an hour shorter
The movie aims to be realistic, but is pulled down by lack of logic and a meandering screenplay.
In the mood for a spoof on super-heroes? Then watch this.
Uthamaputhiran is fluffy, frothy, impossibly light and has no business with logic or reason.
It's a liberal, Tamil re-working of I am Sam.
Velayudham doesn't take itself seriously and doesn't expect you to either, says Pavithra Srinivasan
Pavithra Srinivasan feels that 180 is one of the most stylish films of the year, but the plot extremely predictable.
The film is entertaining even if the pace dips and rises at places.
Ayyan strives to be the quintessential Ilaiyaraja collection, although in a rather diluted fashion.
The movie is just another run-of-the-mill entertainer.
The screenplay is brisk in the first half but loses pace later on.
Directed by M Saravanan, this film is a slice of life.
The screenplay of the film falls apart spectacularly.
Yuvan Shankar Raja moves out of his comfort zone with this one.
Music director Harris Jeyaraj takes a safe route as he offers nothing new in the album.
Directed by Venkat Prabhu Mankatha has a meandering screenplay. Only Ajith is its saving grace.
It's a relief to see less of hero-overtones and more soft numbers.
The movie supposedly a feel-good romance, is quite oridnary.
Eesan seems to have the usual collection of kuthu, romantic and energising songs, but there's nothing that scales the heights of musical brilliance.
Virudhagiri serves the purpose to be a political vehicle for Vijaykanth.
Ko is a spicy political thriller that engages you. Go for it.
