Biju Menon excels while Aju Varghese provides ample support in Vellimoonga.
Lord Livingstone 7000 Kandi is a tiring watch, warns Paresh C Palicha.
Njan is not a completely satisfying film, but it is a courageous effort.
'Oraalppokkam is open to interpretation and therein lies its appeal.'
Drishyam director Jeethu Joseph gives Dileep one of the best characters of his career, says Paresh C Palicha.
How Old Are You is a good watch not just because it is the comeback film of Manju Warrier, but also because it has got a good story to tell.
There is excitement every time Nivin Pauly is on screen, says Paresh C Palicha.
King Liar's story is wafer thin and the effort to hold the viewer's interest does not work beyond a point, feels Paresh C Palicha.
Kali has the potential of becoming a rage with the viewers, feels Paresh C Palicha.
London Bridge is an usual romance between a poor guy who has come up the hard way and a rich princess who falls for him.
It may not work for most adults, warns Paresh C Palicha.
Salala Mobiles is an average film, according to Paresh C Palicha.
This film is Mommootty's version of Drishyam, feels Paresh C Palicha.
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Director Jimson Joy tries to combine an old-style narrative with so-called 'new gen' cinema in Bicycle Thieves, but fails to get it right.
Monsoon Mangoes is pretentious and looks tacky as most of frames are jaded, warns Paresh C Palicha.
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The film doesn't overly sentimental or manipulative and keeps the audience in good humour.
Here's what Paresh C Palicha has to say about the Malayalam movie Charlie.
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The film does not touch the high standards achieved by director Aashiq Abu in the past.
The Malyalam film is complicated in parts and oversimplifies matters in others, but is worth seeing
By the time the big twist arrives in Aneesh Upasana's Malayalam thriller Seconds, we are too jaded to enjoy or appreciate it, says Paresh C Palicha.
Anarkali is a mixture of old and new world of storytelling.
The movie may prove to be another turning point in the recent new wave Malayalam cinema.
Iyobinte Pusthakam is a visual extravaganza where director Amal Neerad's technical skills and the brilliance of the ensemble cast win the day.
Mammootty looks jaded and director Ranjith has done a shoddy job.
Buddy is yet another film that tries to be innovative but can't pull it off.
The film is so heavy with messages that the story or narration takes a backseat.
Koothara in colloquial terms means something despicable. Luckily, this film does not live up to its title.
Malayalam film Bangalore Days boasts of fine performances, says Paresh C Palicha.
Only the hardcore Mohanlal fans will like Mr Fraud which is otherwise an uninteresting film.
Swargathekkaal Sundaram is one more addition to the heap of films that leave hardly anything to be remembered,
Mosayile Kuthirameenukal is visually enchanting, so watch it in spite of some flaws.
1 by Two is a let down considering the expectations it had raised before its release
Bhaskar The Rascal teams up two stalwarts - Mammootty and director Siddique, but we suggest you take out a DVD of their earlier movies if you want to enjoy their work.
The narrative has some gaping holes, but one can ignore them as the subject is not dealt in a serious or profound manner.
Initially we sit tight in our seats expecting something very gripping to happen but, nothing of that sort happens.
Ezhu Sundara Rathrikal may have been an attempt to look at the fickleness of relationships in today's times in a humourous way but it does not have the desired effect.
The film makes an effort to add sparkle to the so-called 'new gen' formula, but ends up being a damp squib.
Punyalan Agarbatthis is a well executed film with Jayasurya along with the rest of the cast giving a likable performance.
Nagaravaridhi Naduvil Njan does not bring any festive cheer.
Rather than watching Aamayum Muyalum, the DVDs of Priyadarshan's old films would be a better option.
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