The message from You Too Brutus is that human relationships are fragile but the way it is conveyed leaves us with a bad taste in the mouth.
100 Days of Love leaves a lot to be desired as a serious love story.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
Ezhamathe Varavu may not be the best from the legendary team, but it is still worth a watch.
Sringaravelan plot's wanders on aimlessly with no logic. You just have to go with the flow of the comedy, which gets quite boring towards the end.
Picket 43 is the best film in Major Ravi's oeuvre and deserves to be seen despite its shortcomings.
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Kunchako Boban gives his best performance in Pullippulikalum Aattinkuttiyum.
Cousins is not an auspicious beginning to the festive season, says Paresh C Palicha.
Paresh C Palicha wonders why Malgudi Days has so many subplots when the main idea itself was good enough for a film.
Angels has a disappointing story and shoddy film-making, says Paresh C Palicha.
Lal Bahadur Shastri is a New Gen venture that offers you just few chuckles and laughs here and there.
Not much imagination has gone into developing the plot of Adi Kapyare Koottamani!
Varsham carries the stamp of Ranjith Sankar which is enhanced by Mammootty's presence.
The film is watchable for its earnest performances.
Rajamma @ Yahoo leaves the viewer confused, writes Paresh C Palicha.
Bhaiyya Bhaiyya does provide a few chuckles, but nothing substantial.
Kochavva Paulo Ayyappa Coelho is truly a feel-good venture that will leave a smile on your face for a long time, feels Paresh C Palicha.
The star cast is in top form with every character etched perfectly.
The director successfully maintains a fine balance among the three leading men in Amar Akbar Anthony, says Paresh C Palicha.
The film has a problem with pacing and lags a few times but the director uses these moments to add meat to the characters.
Anoop Menon and Joy Mathew along with Dulquar Salman and Namitha have given a decent performance in the film.
Manglish is a typical star vehicle that does not deserve a critical dissection.
Siblings Vineeth and Dhyan seem to be making a statement on their father Sreenivasan's work in Malayalam cinema, notes Paresh C Palicha.
Mohanlal's Loham is not original at all, warns Paresh C Palicha.
God's Own Country is over-written -- characters explain everything in words when a mere change of expression would do.
Law Point is a lethargic long drive with many low points.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
Debutante director Abrid Shine depicts the transformation of Indian society towards the importance of sports in the film.
Malayalam film Mannar Mathai Speaking 2 is not a patch on the previous two films, writes Paresh C Palicha.
Ennum Eppozhum is typical Sathyan Anthikkad fare that falls short of expectations.
From the blood and tears that flowed in the first half, the narrative takes a 'U' turn and becomes a comic caper post interval, giving us a feeling that we watched two different films that were merged together midway, feels Paresh C Palicha.
Mammootty plays a legal advisor and gives a decent performance in the film.
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We have seen a few Malayalam films tackle the subject of anti-abortion, but Weeping Boy handles it very poorly
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Director Sohannlal does make an impression by narrating a different story in Kathaveedu.
The story of an underdog, Kattappanayile Rithwik Roshan is quite decent, feels Paresh C Palicha.
Biju Menon feels bogged down by expectations that his latest film carried, feels Paresh C Palicha.
The film is a half baked story which leaves us feeling something is amiss all the time.
Mylanchi Monjulla Veedu is a typical old world story with inter-religious relationship, elopement, mayhem and murder.
The film cannot be taken seriously, says Paresh C Palicha.
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