Malayalam film Nadodimannan doesn't work, according to Paresh C Palicha.
Arikil Oraal had a lot of potential but fizzles out by the end.
The director A V Sasidharan depended too much on lead actor Fahadh Faasil's popularity and forgets everything else.
Kammatipaadam is a gangster movie with a difference and a must watch, for sure.
The director could have done better by avoiding the cliched tales.
Ivide tries to tackle a lot of things but ends up satisfying none.
Fahadh Faasil is in top form in Maheshinte Prathikaaram, feels Paresh C Palicha.
Action Hero Biju may lack the fire and brimstone of the police stories we have grown up watching, but surely it is a sincere effort to be different and realistic, which has to be acknowledged.
SuSu Sudhi Vathmeekam handles the subject of physical limitations judiciously without trying to manipulate a viewer's emotions, writes Paresh C Palicha.
Malayalam film The Dolphins gets preachy after a while, says Paresh C Palicha.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
32aam Adhyayam 23aam Vaakyam is a disappointing affair because of the careless handling of the subject, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
Escape from Uganda is a film that tries to thrill but fails to do so.
Ormayundo Ee Mukham is fluffy and breezy but disappointing.
Leela may carry the buzz that it deals with a controversial subject, but there is nothing objectionable in the film, says Paresh C Palicha.
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The film may have worked better as a documentary.
Malayalam film 101 Chodyangal is a touching tale.
Bangalore Days director Anjali Menon discusses her films and more.
Naku Penta Naku Taka is a disappointment considering the promise it carried.
'My aim as an actor is to make the audience believe that the person they are seeing on screen is not me but the character.' Parvathy discusses her real-life character role in Ennu Ninte Moideen.
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The story does not have any subtlety, everything that the director wishes to convey has been overtly pronounced by the actors through their dialogues.
Actor turned director Vineeth Kumar talks about his directorial debut and his passion for films
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