Bollywood glams up yet another awards function in Mumbai.
Avatar: Fire And Ash is visually stunning and emotionally engaging, offering strong performances and thrilling action, notes Syed Firdaus Ashraf.
Jeethu Joseph's Valathu Vashathe Kallan works better as an emotional drama than an intriguing thriller, notes Arjun Menon.
Throughout Parasakthi, Sivakarthikeyan mentions he is not against Hindi but the imposition of Hindi, notes A Ganesh Nadar.
Vrusshabha feels like a ChatGPT prompt gone wrong, where the lazy ask for a sure-shot 'Pan Indian' blockbuster formula gives us a flimsy period epic in the guise of an incompetently drawn 'reincarnation drama', observes Arjun Menon.
Kiaan Shetty loves Kurukshetra so much that he recommends it to his friends too.
All this time the Great Indian Family was a refuge, when did it become a toxic dump, wonders Deepa Gahlot.
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While season 1 and 2 had the most sizzling chemistry between the lead pair, the Bridgerton series hasn't peaked since Kate and Anthony. With Benedict and Sophie, the spark and intensity feels further subdued, observes Divya Nair.
Anything is better than Mastiii 4, sighs Mayur Sanap.
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Maharani Season 4 doesn't disappoint, offering strong performances and Huma's powerful return as Rani, vouches Namrata Thakker.
Dhurandhar The Revenge has already broken the biggest ever opening record for a film in a single language.
Agra is weird, even ambitiously so, as the film moves between being disturbing and just plain odd, it doesn't fully land on either side, observes Mayur Sanap.
The Girlfriend is not your typical love story and may not be streaming in as many theatres as you'd like to, but it is definitely worth lauding for showing us the mirror about how we normalise toxic behaviours instead of taking a preachy tone, notes Divya Nair.
The supernatural-mystery stuff is well balanced with Baramulla's more grounded, socially realistic elements, making it one of the most unique and creatively well-realised Hindi films Mayur Sanap has seen in a long time.
Irish actress Jessie Buckley's powerful performance in Hamnet earns her an Oscar for Best Actress, marking a significant moment for Irish talent.
Newlyweds Rashmika Mandanna and Vijay Deverakonda delight fans by sharing vibrant photos from their Haldi ceremony, offering an intimate look into their wedding celebrations in Udaipur.
The Swadeshi Jagran Manch (SJM) is advocating for the termination of the moratorium on customs duties for electronically transmitted digital products, arguing that it hinders self-reliance, causes revenue losses, and restricts India's ability to tax emerging technologies like AI.
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Revolver Rita doesn't use its comic potential to its fullest and ends up a passable comedy that could have used more bite, observes Arjun Menon.
Priyanka Chopra stunned at the Oscars and the post Oscars Vanity Fair party, showcasing her impeccable style with a flawless white gown and a dazzling metallic after-party dress.
Thamma is mostly entertaining and not grotesquely horror-inducing, observes Deepa Gahlot.
Dining With The Kapoors offers a perfectly edited, heart-warming family reunion, but it stops just short of showing the messy nok-jhoks and real moments that could have made it more immersive, notes Divya Nair.
We may not know Dr Ramani at first, but by the end, we get a clearer sense of his nobility. For a biopic, that's a job done well, notes Mayur Sanap.
It's been a while since Hindi cinema had a zany, well-written comedy, applauds Deepa Gahlot.
'People are talking about Vijay Crishna's roles in cinema, the few roles that he did, but his real body of work was on stage.'
Janhvi Kapoor celebrated her 29th birthday with a visit to the Tirumala Venkateswara temple.
Mirzapur cast members Rasika Duggal, Shriya Pilgaonkar and Shweta Tripathi take us behind-the-scenes of the film at its wrap-up party.
Eko, a smartly written film, loses steam midway but somehow stays afloat and deliver the goods, notes Arjun Menon.
'...I am not part of it. If you want to boycott me because of this, and there have been obvious instances where people didn't want to review my films because I am not important.'
Tere Ishk Mein is a disservice to brilliant actors like Dhanush and Kriti Sanon, who have poured their heart and soul into their performances in a story that fails to honour its characters, notes Divya Nair.
Tu Ya Main's Avni 'taught me how to be a complete BADASS.'
In just five tightly packed episodes, Search: The Naina Murder Case takes you through a whirlwind of theories, emotions, and shocking revelations, making it a compelling Indian crime drama, notes Divya Nair.
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120 Bahadur is underwhelming, adding little fresh perspective and generally feeling like a standard war drama we have seen umpteen times before, notes Mayur Sanap.
Pankaj Kapur, who visibly enjoys playing the ringmaster to this family circus, is the glue that holds Thode Door Thode Paas together, observes Deepa Gahlot.
Bhumi Pednekkar learns to love herself again, and here's why.
The princess of Wales gets a taste of India.
'Papa, your integrity is my inheritance.'