A 1990s Bollywood album. Ranbir Kapoor as Balraj Sahni. Dimple Kapadia's Crowning Glory days. Agha-Mukri-Kesto's fun, fabulous, forgotten friendship. Sukanya Verma's super-filmi week was a complete blast from the past.
How a small-town theatre actor is navigating his way in the world of endorsements, using his Bollywood playbook as a guide.
Anil Swarup, who conceived the Rashtriya Swasthya Bima Yojana -- a scheme the United Nations Development Programme and the International Labour Organisation recognised as among the finest -- speaks to Anjuli Bhargava.
'People have a certain perception about my political leanings -- and rightly so.' 'But I am an actor first, and then an activist.' 'And I am not an accidental actor.' 'There was no way I was going to be dishonest with my acting,' Anupam Kher tells Veenu Sandhu.
NCW data show a noticeable rise in sexual harassment at the workplace.
More than 25 years after the Babri Masjid was destroyed, another generation proclaims its commitment to building a Ram temple.
...But a comedy about Class Wars. Sreehari Nair tells us why.
'Until I remove that character from my head and empty the space, other characters cannot take that place.'
S'Working with Huma made us understand each other as actors more.' 'We share an awkward sibling relationship in Dobaara, totally different from how we are in real life.'
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
Masaan co-writer Varun Grover talks about the film.
'I wish there was a little chaos there and I wish there was a little discipline here.' Actress Tannishtha Chatterjee on Bollywood and Hollywood.
'My worst experiences in the film world concern money. After signing contracts, they don't pay. You always have to forget your last installment. It is very difficult for an outsider to enter Bollywood. You must either have luck or a Godfather. I have neither.' Bidita Bag discusses her big break.
'Masaan is history for me. This is another journey with Raman Raghav 2.0. You have to clean your slate after every film, and not let its success or failure affect you.' Vicky Kaushal moves on, with Raman Raghav 2.0.
A look at the top tweets from your favourite Bollywood celebrities
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
'I do films because I want to feel proud of myself as an actor. Why should I sign nonsense? The right roles aren't coming. The only cameo I have done in Hindi is Zoya's Dil Dhadakne Do. She is a friend and I desperately wanted to work with her. She casts big stars, so obviously, I couldn't be the lead.' Rahul Bose on his films, and Poorna.
Anurag Kashyap explains why he is finally releasing his long delayed film, Ugly.
Saurabh Shukla, Piyush Mishra and Sanjay Mishra are not likely to be in the limelight when a film releases, but they are the ones who eventually light up the movie.
Manoj Bajpayee confides in Rediff.com's Ronjita Kulkarni about his 'long journey filled with rejection, betrayal, misery, failures and disillusionment.'
More Indians are watching films across screens, TV, online and other platforms than ever before. Whether it is by tackling costs, processes or revenues, the trick is to find a way of making money from all of them, says Vanita Kohli-Khandekar.
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
These desi hotties could stop traffic!
There is something about Anurag Kashyap that puts the cinema watchdogs on alert, says Veenu Sandhu.
'As a director, I am happy to take the blame because that's mine but I get blamed for everything.' Anurag Kashyap gets candid.
Actress Richa Chadha can't get over her Cannes experience.
Umrika, which won the audience award in the World Cinema Dramatic Competition section at the Sundance Film Festival in 2015, finally releases in India.
'Even if you give me a good role, I will try to make it look bad because nobody is perfect.' Manoj Bajpayee gets ready to play yet another negative character in Tevar.
'I am the undiscovered Julia Roberts of India. They haven't figured it out yet.' Kalki Koechlin gets talking.
Sukanya Verma picks potential AB collectibles as Bollywood's most iconic star celebrates his 72nd birthday on October 11.
'I didn't really want to be an actor. It happened by accident. I didn't know how to deal with the stardom and what came along. I was 20, and had not planned it, so it was very stifling for me.' Welcome back, Arvind Swamy!
'To be complimented for a fantastic performance after just viewing the trailer! This never happened to me before.' 'If you have given a party a mandate for five years, stop blaming it for everything under the sun.' 'My kind of films do not make stars. Now we, the actors, after years of struggle, have created a parallel industry where we have made a name for ourselves. But stars we are not nor can we be.' 'For a boy coming from a remote village of Bihar at the Indo-Nepal border where no transport was available to commute to the nearest town, even coming to Delhi and then Mumbai and finally watching himself on the silver screen was a huge thing!'
'It's very tough for someone, who doesn't have a filmi background, to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that. I must have given 30 auditions for films alone.' Rajkummar Rao survived the struggle to give us some brilliant films.
'The voter thinks that the State is not going to impartially deliver services, provide justice, basic law and order, social insurance -- so as a voter it's very rational that I may choose a criminal who will help me navigate the State.' 'A weak State allows a criminal politician to be the person who provides that guarantee to mediate whatever problem the citizen has with the State.'
Badlapur is all fury and fog, a revenge saga that plays out with great eyebrow-singeing intensity, says Raja S
'I may sound snobbish but I am genuinely tired of responding and saying thank you on Facebook, on Twitter, on phone calls. People are calling from everywhere. There is all this excitement and different groups are throwing parties. I have to attend them or else they will think I am snooty.' Meet Masaan director Neeraj Ghaywan.
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
'Why is it that we are so forgiving of the glaring problems in grand multi-starrers like Dil Dhadakne Do,' asks Sreehari Nair, 'but when a small film with a truly personal vision seeks our approval, we analyse it through a prism of formal perfection?' 'With its Seinfeldian humour, episodic structure and performers who play off each other's energies, Meeruthiya Gangsters goes farther than most Hindi movies.'
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