Aligarh is a milestone in the history of Indian cinema that should start the much needed conversation about how India treats gays and lesbians, feels Aseem Chhabra.
Katiyabaaz is as riveting and gritty as it is wildly funny at times; a must watch, says Sonil Dedhia.
'I am not a supporter of complete freedom of speech or expression on any social platform, but we must have the right to choose as adults in a personal space.'
Amitabh Bachchan turns 75 on October 11. Rediff.com celebrates the superstar's birthday with this special series, looking back at the very things that made him the BIG B.
'I don't care about how people are used to seeing me -- that is their problem. They make little compartments in their heads and they want to fit everybody into that, but I don't really abide by it.' Richa Chadha, in a candid chat.
A clutch of professional talent management firms is changing the balance of demand and supply in India's entertainment industry, writes Vanita Kohli-Khandekar.
Sreehari Nair presents his Top 20 movies of the decade.
NCW data show a noticeable rise in sexual harassment at the workplace.
A 1990s Bollywood album. Ranbir Kapoor as Balraj Sahni. Dimple Kapadia's Crowning Glory days. Agha-Mukri-Kesto's fun, fabulous, forgotten friendship. Sukanya Verma's super-filmi week was a complete blast from the past.
How a small-town theatre actor is navigating his way in the world of endorsements, using his Bollywood playbook as a guide.
Anil Swarup, who conceived the Rashtriya Swasthya Bima Yojana -- a scheme the United Nations Development Programme and the International Labour Organisation recognised as among the finest -- speaks to Anjuli Bhargava.
'People have a certain perception about my political leanings -- and rightly so.' 'But I am an actor first, and then an activist.' 'And I am not an accidental actor.' 'There was no way I was going to be dishonest with my acting,' Anupam Kher tells Veenu Sandhu.
More than 25 years after the Babri Masjid was destroyed, another generation proclaims its commitment to building a Ram temple.
'Until I remove that character from my head and empty the space, other characters cannot take that place.'
Masaan co-writer Varun Grover talks about the film.
S'Working with Huma made us understand each other as actors more.' 'We share an awkward sibling relationship in Dobaara, totally different from how we are in real life.'
...But a comedy about Class Wars. Sreehari Nair tells us why.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
'I wish there was a little chaos there and I wish there was a little discipline here.' Actress Tannishtha Chatterjee on Bollywood and Hollywood.
'Masaan is history for me. This is another journey with Raman Raghav 2.0. You have to clean your slate after every film, and not let its success or failure affect you.' Vicky Kaushal moves on, with Raman Raghav 2.0.
'My worst experiences in the film world concern money. After signing contracts, they don't pay. You always have to forget your last installment. It is very difficult for an outsider to enter Bollywood. You must either have luck or a Godfather. I have neither.' Bidita Bag discusses her big break.
A look at the top tweets from your favourite Bollywood celebrities
Anurag Kashyap explains why he is finally releasing his long delayed film, Ugly.
Saurabh Shukla, Piyush Mishra and Sanjay Mishra are not likely to be in the limelight when a film releases, but they are the ones who eventually light up the movie.
'I do films because I want to feel proud of myself as an actor. Why should I sign nonsense? The right roles aren't coming. The only cameo I have done in Hindi is Zoya's Dil Dhadakne Do. She is a friend and I desperately wanted to work with her. She casts big stars, so obviously, I couldn't be the lead.' Rahul Bose on his films, and Poorna.
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
More Indians are watching films across screens, TV, online and other platforms than ever before. Whether it is by tackling costs, processes or revenues, the trick is to find a way of making money from all of them, says Vanita Kohli-Khandekar.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
These desi hotties could stop traffic!
There is something about Anurag Kashyap that puts the cinema watchdogs on alert, says Veenu Sandhu.
Manoj Bajpayee confides in Rediff.com's Ronjita Kulkarni about his 'long journey filled with rejection, betrayal, misery, failures and disillusionment.'
'You walk out of Mukkabaaz feeling good about yourself, but unlike Kashyap's best pictures, it releases you from the responsibility of seeing yourself in it; the movie is darn clever, most of the way, but it hardly has any wisdom,' says Sreehari Nair.
'As a director, I am happy to take the blame because that's mine but I get blamed for everything.' Anurag Kashyap gets candid.
Actress Richa Chadha can't get over her Cannes experience.
'Even if you give me a good role, I will try to make it look bad because nobody is perfect.' Manoj Bajpayee gets ready to play yet another negative character in Tevar.
Umrika, which won the audience award in the World Cinema Dramatic Competition section at the Sundance Film Festival in 2015, finally releases in India.
Sukanya Verma picks potential AB collectibles as Bollywood's most iconic star celebrates his 72nd birthday on October 11.
'I am the undiscovered Julia Roberts of India. They haven't figured it out yet.' Kalki Koechlin gets talking.
'I didn't really want to be an actor. It happened by accident. I didn't know how to deal with the stardom and what came along. I was 20, and had not planned it, so it was very stifling for me.' Welcome back, Arvind Swamy!
