Before Vishal Bharadwaj's advent, several Hindi filmmakers had attempted screen adaptations of Shakespeare's various works, with varied success.
A look at the potential blockbusters this summer.
Rediff.com gives you a look at films in the past that have captured the lives of sporting icons, and their rise to glory, on the silver screen.
A look at the top tweets from your favourite Bollywood celebrities.
'Maneesh Sharma's Fan should be good. It will have Shah Rukh doing something entirely different from what he has been doing recently.'
Here's what caught our eye at the movies this year.
The top posts on social media from your favourite Bollywood celebrities.
Sukanya Verma's super-filmi week marks a star-studded start to the year
Om Puri was that rare actor who could carry a film on sheer power and versatility of his performance
Ever wondered how Bollywood films have grown snazzier over the years?
'Before I started Haider, I read a little bit of Hamlet. I saw a Russian version of Hamlet and, honestly, I got bored halfway through.' But Shahid claims his latest film is the best movie of his career yet.
'Jurassic World is a perfectly passable blockbuster with a B-movie heart -- but why on earth would you want to watch something so unremarkable when Mad Max: Fury Road is still in theatres and gets better on each viewing?' asks Raja Sen.
'...But my strong suit will not be dancing,' Kal Penn tells Vaihayasi Pande Daniel/Rediff.com, in the concluding part of the interview.
More Indians are watching films across screens, TV, online and other platforms than ever before. Whether it is by tackling costs, processes or revenues, the trick is to find a way of making money from all of them, says Vanita Kohli-Khandekar.
We look at 52 of them, spread over 52 Fridays, in a two-part special. Here's the first part.
'Single life is pretty good. I like the attention. If I feel lonely, I just call my mom and she sleeps in my bed,' Kalki Koechlin tells Rediff.com contributor Paloma Sharma.
Talvar is a cleanly-crafted film, says Raja Sen.
'Why does it exist in the film industry?' 'It is because we are culturally nepotistic.' 'The son always grows up to carry on the work of the father; that's where we come from.' 'So if you have to tackle nepotism in the film industry, you have to tackle it in our culture.'
'This is a giant film, a magnum opus drunk on its own magnum-ity, and it is perfectly clear early on, as the narrative races out the gate and gauntlets are flung up in the air and shot through with arrows, that a film like this can only work as opera,' says Raja Sen.
'Bollywood runs on the idea of age.' 'The moment you're single, even if you're 40, you're still appealing, you're still young.' 'The moment you're married, even if you're 25, it's uh huh. She's not sexy anymore.'
Bollywood celebrities mourn the death of the charismatic actor.
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
India scored at the recently-concluded Telluride Film Festival, reports Aseem Chhabra.
'My type exists in heaps -- millions really -- cheering, cussing and calculating from the comforts of our living room as if the television screen can magically convey our woe or wisdom to the player.' 'Except without our frantic cheering, irrational logic and infectious gusto, the sport would have half its appeal.' Sukanya Verma on what it is like to be the Indian Cricket Fan.
A hard, unrelenting film that doesn't give in to over-sentimentality, Citylights is like the city of Mumbai -- it beats you down and when you are broken, takes you in its arms and loves you. Suparn Verma, who has directed films like Aatma, Acid Factory and Ek Khiladi and Ek Haseena, raves about the film.
'At a festival that has shown so many brilliant films, I cannot be more thrilled to receive this award,' said Slave's director Steve McQueen.
Madras Cafe is a swift, smart and serious study of an inglorious chapter of history, writes Sukanya Verma.
'Films will come and go, some will do really well and some will be okay, you have to learn from that and move on. But rest assured, you know one thing: they (audiences) love you, and that's the most important thing. And you love them back, probably twice as much.' Jimmy Sheirgill gets candid.
'Woman need to be respected much more in our country. But choices should be allowed for women as well as men. I don't care about the box office collections of Ki & Ka; I care about the thoughts and conversation that it brings on. Every actor has that one film in their filmography where they pushed the envelope further.' Arjun Kapoor takes on new challenges with Ki & Ka.
'I loved doing Bunty Aur Babli. I love working with Rohit Shetty. I just shot for Dilwale. Kuch bhi karva leta hain mujhse (he makes me do anything)!' I worked in Jolly LLB for free. It was just a night's work. We laughed till we died during the shooting. It was such a cute character!' Meet Bollywood's busiest actor, Sanjay Mishra.
'When the same rotten paratha is served to someone year after year, it shocks them when all of a sudden there is a change in taste.' Kay Kay Menon justifies why he took up Yudh.
Pavan Malhotra, one of our finest actors, shows us another side of Bollywood.
'Salman has changed a lot in the past few years. He was totally different when I shot with him for Jai Ho. He has mellowed down, but I don't like him like this.'
'Director Ali Abbas Zafar has directed a monstrous film, one with a repellent 70s-set storyline that makes no sense whatsoever, and a cast who should all hang their heads and offer up a minute's silence for assaulting their respective filmographies,' says Raja Sen after watching Gunday.
'The fragility of this case is that taking a side could be a fallacy to do. Because you don't have all the answers. So how do you take one particular side?' Meghna Gulzar asks Vaihayasi Pande Daniel/Rediff.com
Amitabh Bachchan talks about Te3n, Aaradhya and actors he would love to work with!
