'Alia Bhatt is very intimidating. We talked very little off screen because she's a very busy actor. She would come on set, work long hours, go to sleep and then leave for her other project.' Fawad Khan discuss his Kapoor & Sons co-star, and much more.
'In this resurgent India, class is the new caste. We are shaken up only occasionally, and briefly, when a battered, tribal teenager from Jharkhand looks us in the eye from our closet,' says Shekhar Gupta.
Deven Verma passed away into the ages on December 2. We re-publish an interview done with the veteran actor.
An A-Z of Bachchanalia, the letters expanding into unforgettable bits of his filmography.
'It's a good thing that people will see our chemistry on screen. What happens off camera is not our concern.'
P K Nair dedicated his life to restoring and archiving films.
'The threat to our pre-schoolers from the worst of Bollywood is far greater than the threat to Sanskrit from German.'
Vidya Balan *really* wants her new film Hamari Adhuri Kahani to do well.
'The Ek Do Teen song was shot for many days.' 'Listening to it so many times during the shoot, we knew it would be a big hit.' 'When Tezaab was released, Madhuri had gone to the US for a holiday.' 'When she returned to Mumbai, there was a large crowd waiting for her at the airport, calling out 'Mohini, Mohini,' her character from Tezaab.' 'That day Madhuri had arrived in the real sense.'
Haider will haunt you long after you've left the theatre, promises Sukanya Verma.
Rediff.com celebrates 40 years of the beloved movie classic.
In our special series revisiting great Hindi film classics, we look back at Randhir Kapoor and Jaya Bhaduri's 1972 film, Jawani Diwani.
'I miss Tabu's beauty, her graceful presence, her delicate smile and the texture of her voice, with which she can convey so many things -- the lonely mother, the lover, the seductress, the wronged woman, or a young woman charmed by an older man,' says Aseem Chhabra.
Anupam Kher on why he thinks the prime minister is a genuine person.
Raja Sen feels Dedh Ishqiya is a genuinely smart film.
'In 2015 I watched films in so many places. I attended several film festivals around the world -- Berlin, Tribeca (New York), Telluride, Toronto, Zurich, Mumbai, Dharamsala and Goa,' says Aseem Chhabra, author of a forthcoming book on Shashi Kapoor.
'Acting is a very crazy profession to be in. Mentally and emotionally we have to go into a particular zone and come out of it and keep on doing it. I am sure acting takes a toll on everyone and maybe that's why logon ko actors pagal lagte hai.' In the second part of a fun conversation, Tabu shares some beautiful nuggets with Rediff.com's Savera R Someshwar and Sonil Dedhia.
'When I was younger, 15 years or 20 years seemed like a really long time. But, as you journey though life, you don't realise where the years disappear...'
Ananth Mahadevan takes on the audience.
'I defy all the controversy. For me, it is meaningless. They say the students are unhappy that I have been appointed as the head of FTII. They have not seen my work so how can they be unhappy?' Gajendra Chauhan tries to justify his appointment to head the prestigious Film and Television Institute of India.
'It is time for all Indians to understand the truth that led to a 10-year long bloodbath in Punjab and not attempt to glorify the terrorists under the garb of human rights violations or scratch old wounds,' says Colonel Anil A Athale (retd), on the 30th anniversary of Operation Bluestar.
Here's celebrating Dilip Kumar by re-visiting his best movies.
'I kept telling myself I'd quit after every film. I saw myself in my first Hindi film Kashmir Ki Kali and I didn't like myself. I said, one more film and I'm done. But it continued.' Sharmila Tagore gets candid on her 70th birthday.
'Manto is the only writer to grasp what the project of Pakistan would eventually mean,' says Aakar Patel, who has translated a collection of Saadat Hasan Manto's essays in a just-released book Why I Write.
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
'When it came to S D Burman, a Guide song was completely different from a Tere Mere Sapne song which was completely different from a Sharmilee song. Except for their quality, there is nothing to link them together.' 'Lata was his ultimate voice. He felt there was nobody like Lata. "Give me a harmonium, give me Lata and I will make music," he said.'
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