Here's looking at the summer hits through the years.
'I remember I was doing The Hate Story and had finished shooting all the other bits with Paoli (Dam, actress), only the erotic bits were left. It was the first time I was doing lovemaking scenes and I had no clue how to do that. My wife was like, 'don't worry, just be comfortable, it's your job.' It was comforting coming from my wife.' Knowing Gulshan Devaiah better.
Anurag Kashyap explains why he is finally releasing his long delayed film, Ugly.
Happy Ending, at its core, is pretentious and doesn't quite live up to expectations, save for Govinda, who lights up the screen with his mere presence.
'Freedom of expression is not a freedom to abuse those who do not agree with you.' 'It is also about being liberated from prejudices and intolerance.' 'To me, freedom is the right to be who I am and what I am without hurting the same rights of others.'
Of all the Indian films screened in Toronto, three stood out for Aseem Chhabra -- A Death in the Gunj, Mostly Sunny and An Insignificant Man.
Sukanya Verma shares her exciting filmi week with us.
How well did these actors play homosexuals? RATE THEM!
The actress stood out in an off-shoulder shimmery dust blue gown. She teamed her gown with a classic bob, which is similar to the look that she will be seen sporting in her upcoming film Rangoon.
It is always wonderful to discover a gem of film at an international film festival. It is even more exciting when that film is from India.
'Banning the film is an unfortunate response and does great injustice to Nirbhaya's parents, who have supported the film and to the brave young men and women who forced the government to set up the Justice Verma Commission.' Bollywood gets their voice across.
'I don't care about how people are used to seeing me -- that is their problem. They make little compartments in their heads and they want to fit everybody into that, but I don't really abide by it.' Richa Chadha, in a candid chat.
Manavi Kapur and Avantika Bhuyan speak with leading designers about trends that will sparkle in the new year.
Yeh Jawaani Hai Deewani is a good-looking film but lacks a good story, writes Raja Sen.
Kalyani Khona is helping the disabled find love.
'Why does it exist in the film industry?' 'It is because we are culturally nepotistic.' 'The son always grows up to carry on the work of the father; that's where we come from.' 'So if you have to tackle nepotism in the film industry, you have to tackle it in our culture.'
What if we these popular American television series were made in India?
'I have doubts before the release of every single film. I never really like my work as I am never happy with what I do. After Barfi! released, I ran away for three-and-a-half weeks! I didn't want to face the media because I had heard some horrific stories.' Ileana D'Cruz gets ready to face the world again, with Happy Ending.
Aseem Chhabra tell us how he watched 302 films in 365 days on airplanes, on Netflix, Amazon, iTunes, Google, Hulu, DVDs and even on YouTube.
Arjun Mathur recounts his journey as an actor in Bollywood.
'We went around with the story, but no one came forward to finance it. They would say 'Who would want to watch this?' Or they would say 'Ek to ladka dal do is me.' We said no, we didn't want to compromise.'
'Saif is very passionate as an actor. He is always thinking way ahead. He wants to make movies for the future. He doesn't necessarily stick to the current trends.' Director duo Raj Nidimoru and Krishna DK discuss Happy Ending.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances