Which one are you looking forward to?
Looking at some of Bollywood's coldest film locations.
Sukanya Verma recaps all the action at this year's MAMI.
There is something about Anurag Kashyap that puts the cinema watchdogs on alert, says Veenu Sandhu.
Sukanya Verma shares her exciting filmi week with us.
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
Here's looking at Bollywood's coolest turbanators!
'The biggest disappointment at the Berlinale is the very small representation of Indian films.'
'A production designer could earn Rs 10 lakh per film. It could be Rs 70 lakh for an established designer.'
'We live in times where love and relationships have a different meaning. People take it very casually. People get sexually bored easily and are always looking for something exciting. I see it happening around me. I know people, who are married or in relationships, get excited with these things.' Tara Alisha Berry on life as she sees it.
In four years, Rekhta has become the largest online repository for Urdu poetry and literature in the world, says Veenu Sandhu.
'I have experimented a lot with my acting, now I want to get into the commercial heroine space.' 'I am toning myself up to live up to the hotness standards of Varun and Jacqueline.' 'I am trying to get there.'
It turns out that there is serious money in funny business these days!
Shah Rukh Khan yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts himself overcompensating at every step, despite nobody else in the film following this template.
'Why does it exist in the film industry?' 'It is because we are culturally nepotistic.' 'The son always grows up to carry on the work of the father; that's where we come from.' 'So if you have to tackle nepotism in the film industry, you have to tackle it in our culture.'
It would be wrong to blame only Bollywood or the fairness cream industry, or the masses that cater to both, because clearly, all of us encourage this lust for whiteness that films and companies only cash in on.
'I have been tagged the next superstar for a long time, but I have not reached that stage.' 'So it's very important to accept your failures, not be in denial.' 'Those films happened because I chose them.' 'Nobody put a gun to my head and asked me to sign them.'
Did you know the world's youngest director is an Indian?
'If there's a Fan sequel, I want a song and dance with Shah Rukh Khan.' Here's introducing Fan girl Shriya Pilgaonkar, who celebrates her birthday today, April 25.
'Human beings are voyeuristic by nature. We love to imagine some things. Like Salman and Katrina were ex-lovers, and are now working in Ek Tha Tiger. Oh my God, what must be going on between them...? We, as an audience -- and I include myself in that -- talk like that. If Salman and I announce a film tomorrow, I'm presumptuous enough to say there will be interest in it.' Katrina Kaif on life and love.
'Bipasha dislikes my voice in Jism. Everyone liked my voice and it did wonders for her and even for me. But she disliked it tremendously. She was very upset. She refused to do the promotions for the film because I dubbed her voice.' Meet dubbing artist Mona Ghosh Shetty.
'I got the script of OMG: Oh My God and I believed in it so much that I quit my job. Singh Is Bliing was a success but it was not a film that made a difference.' Meet Ashvini Yardi.
'I have honestly never gotten so much appreciation in my career ever,' Shahid Kapoor reveals.
'Saif is very passionate as an actor. He is always thinking way ahead. He wants to make movies for the future. He doesn't necessarily stick to the current trends.' Director duo Raj Nidimoru and Krishna DK discuss Happy Ending.
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