'Modest in its ambitions, eager in its naiveté, The Extraordinary Journey of the Fakir is a kiddie fantasy masquerading as an adult's movie,' notes Sukanya Verma.
'I knew that since I would be designing for Sanjay Leela Bhansali's film, the aesthetics would have to be correct.' 'He doesn't show poverty in his films.' 'He won't show someone standing on the streets in phate hue kapde.'
A peek into her changing looks in the movies.
Here's what your favourite celebs have been upto!
'You've to wait for the correct project and the right character.'
Prince Victor Albert Jay Duleep Singh's mansion is located in one of south-west Kensington's most sought after residential addresses.
A look at how Brazilian model Aline Weber took the world of fashion by storm.
After much debate and opposition by one-time godmother and leader of the opposition in Lok Sabha Sushma Swaraj, B Sriramulu will now fight on a Bharatiya Janata Party ticket from the Bellary parliamentary constituency.
'As much as I appreciate this seamless show of computer graphics -- the gobsmacking detailing of its manufactured wildlife and landscapes -- there's something awkward about its authenticity.' 'Neither does it match the vigour of The Lion King's dramatic plot,' says Sukanya Verma.
'I have started getting a lot of messages from people, directors, photographers...and I realised the importance of being visible.'
'Tamhane's densely composed shots achieve what a vacuously whizzing camera seldom does.' 'Like those Renaissance Paintings in which a bewitching lady is shown posing for a portrait, and daily life plays out in a corner unruffled, Tamhane's static frames have a hundred interesting things happening within them,' observes Sreehari Nair.
Sukanya Verma looks at the jhoola, and how it's an unforgettable part of many a Bollywood imagery in celebration, romance, frolic and, sometimes, even menace.
Urvashi Sharma talks about her acting comeback.
India's women artists, says Kishore Singh, look at politics and society and want to provoke reactions on issues based on their inheritance and understanding of gender, class, caste and environmental disparity.
Secret Superstar's cheerful, feel-good imagery of a rotten reality reflects a young adult's hopeful perspective yet to be crushed by the weight of cynicism, says Sukanya Verma.
Born and abandoned in Mumbai, reborn in Sweden, Erika Sandberg says she is Indian on the outside but feels Swedish on the inside. Vaihayasi Pande Daniel narrates her tale.
Bollywood glorifies Mumbai's dons in its movies.
The Intern is an easy, breezy office space confection that makes for a lighthearted viewing, feels Sukanya Verma.
When PK works, it does with great merit. When it does not, it sermonises, says Sukanya Verma.
In the past couple of years, Saregama has redefined itself into a 'content IP company'.
'I have been cast in the lead in an Australian medical drama, Pulse.' 'It is a huge break for my career.' Aussie actress Pallavi Sharda on Begum Jaan, working with Vidya Balan and why she hopes Bollywood will offer her a comedy or romantic film soon.
From Feroz Khan-Danny Denzongpa's bare skin to Ranbir Kapoor-Ranveer Singh bare soul, Sukanya Verma's super filmi week saw it all!
Since the note ban was announced auction houses, galleries and art fairs are witnessing lukewarm sales -- even with masters like Souza, Raza and Padamsee. Ritika Kochhar reports.
What Sukanya Verma loves about Kenneth Branagh's extravagant vision is he gives us a Cinderella that's got a little more spirit and penchant for horse-riding if not the hand-drawn delicacy or singing prowess of her animated avatar.
'I choose the best of what I get. I will not do every Hindi film that comes my way. I would rather wait and do good films than do rubbish films because I will have no career left. It's tough in Bollywood because there is a lot of competition. You have to create a niche for yourself.' Raima Sen tells us why she's been away from Bollywood.
These Bollywood gems truly deserve two thumbs up!
The Richard Gere-Julia Roberts classic has aged remarkably well.
Rahul is fascinated by history and ancient texts
Ranjita Ganesan and Nikita Puri chronicle the journey of Abhishek Poddar, one of India's leading art patrons.
Raima Sen comes out of her grief to tell us what grandmother Suchitra Sen's death means to the family and to cinema.
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