Mr Funnybones is ready to bring the house down yet again in Bhooth Bangla by Priyadarshan, his director of several superhit laugh raisers.
The Indian Institute of Technology, Delhi, has launched a comic-style brochure featuring Professor Padarth to make materials engineering more accessible and engaging for students and the general public.
The competition invites creators aged 18 to 25 to reimagine India's cultural heritage through superheroes, drama, fantasy, or any genre that captures the spirit of Indian storytelling.
Try as it might, Who's Your Gynac? is just not funny, complains Deepa Gahlot.
If only Pati Patni Aur Woh Do were as funny as its director intended it to be, that would have been reason to celebrate, notes Sreeju Sudhakaran.
Superheroes, gamers and sci-fi icons all had their moment but it was Anime that truly took over.
OpenAI CEO Sam Altman announces that ChatGPT image creation in India has surpassed 1 billion, less than a month after the release of ChatGPT Images 2.0.
It is a marketplace of attention, where legacy publishers, global franchises, and consumer brands meet to make the most of India's expanding fandom economy.
Tovino Thomas storms into Athiradi like a one-man festival riot, turning this colourful campus entertainer into a loud, chaotic and mostly enjoyable ego clash.
As David Dhawan hints at potential retirement after Hai Jawani Toh Ishq Hona Hai, we revisit his iconic Bollywood comedies that defined an era of entertainment.
The fourth season of Undekhi attempts to conclude the saga of the powerful Atwal family but struggles with an overcomplicated plot and a multitude of characters, observes Deepa Gahlot.
'We should want Saiyaara, Pati Patni Aur Woh Do, Animal and Dhurandhar to coexist. Let the audience decide what they connect with.'
Mangoes, Thums Up, Ludo, Train journeys, Video cassettes, Wimbledon -- a love letter to the summers that raised us.
From Madhuri Dixit's Dhak Dhak nostalgia to Triptii Dimri's emotional reflections, the Maa Behen trailer launch turned into a delightful event.
Saif Ali Khan may have delivered several iconic performances, but some of his fascinating roles still do not get the appreciation they truly deserve.
Ayushmann Khurrana, known for consistently breaking conventions with his choice of roles and projects since his 2012 debut in 'Vicky Donor', is gearing up for his new release 'Pati Patni Aur Woh Do'. Ahead of its release, a list ranks his top 10 standout films, highlighting his unique contributions to Indian cinema.
As we await the much-anticipated reunion of Priyadarshan and Akshay Kumar in Bhooth Bangla, Sreeju Sudhakaran looks back at their six memorable collaborations, ranking them by how consistently they deliver on entertainment.
Celebrate Madhuri Dixit by revisiting her most unforgettable and scene-stealing performances, from her early career breakthroughs to her later nuanced portrayals, showcasing her unparalleled talent and charisma.
Mammootty's greatness lies not in hiding his flaws, but in turning them into his most powerful acting tools, observes Sreehari Nair.
This week's OTT releases offer a diverse range of genres, from the controversial sequel The Kerala Story 2 and the action-packed Man on Fire to the horror-comedy Raakaasa and the political satire TN 2026, ensuring there's something for every viewer.
Ashish R Mohan's Daadi Ki Shaadi, starring Neetu Singh and Kapil Sharma, offers an outdated plot that fails to deliver on humour or emotional depth.
As Priyanka Chopra Jonas returns as the debonair spy Nadia in Citadel Season 2, we take look at how her Hollywood projects stack up against each other from underwhelming to standout.
Vishnu Aravind's Madhuvidhu is a family entertainer that works in parts but falters when its drama turns unconvincing, observes Sreeju Sudhakaran.
Ahead of Daadi Ki Shaadi's release, here's looking at Bollywood's history of mature romances, from classics like Aandhi to modern hits like Rocky Aur Rani Kii Prem Kahani, which showed that love needs no retirement age.
Glory juggles its whodunit goals and estranged father-son equation across a hoard of suspects and unreliable allies. The upshot is uneven yet watchable because of the talent on board, notes Sukanya Verma.
'...keeping in mind that an entire family, from anywhere in India, can sit down together to watch it in theatres! Maybe that's why they always show up for my family entertainers.'
Bharathanatyam 2: Mohiniyattam emerges as a surprisingly superior sequel, boldly transitioning from a slice-of-life narrative to a dark comedy crime-thriller, observes Sreeju Sudhakaran.
The post, markedly different from its usual X feed -- typically focused on low-cost tariff plans and anti-spam measures -- appears to ride on Samay Raina's popularity.
Akshay Kumar and Priyadarshan's reunion in 'Bhooth Bangla' attempts to capitalise on nostalgia but ultimately delivers a noisy, recycled, and uninspired horror-comedy that struggles with weak humour, ineffective scares, and miscasting.
From making us laugh with her funny reels to acting in Maamla Legal Hai S2, Kusha Kapila is in the best phase of her life.
Mamla Legal Hai 2 draws humour from its assorted characters, crafting quirky storylines inspired by newspaper headlines, and anchored by consistently strong performances, led by an ever-reliable Ravi Kishan, applauds Sreeju Sudhakaran.
Sanjay Dutt, known for his 'Khalnayak' image, is set to return to the big screen as a historical antagonist in Raja Shivaji' and a rugged gangster in 'KD - The Devil'. This article ranks his most compelling villainous performances in Hindi cinema, highlighting his versatility in embracing darker roles.
Explore a curated list of 10 Indian films that masterfully condense their narratives into a single day, showcasing how limited timelines can enhance storytelling and character development, from thrillers like 'NH10' and 'Kaithi' to comedies like 'Taxi No 9211'.
Ratheesh Balakrishna Poduval's latest film Oru Durooha Sahacharyathil (Under Mysterious Circumstances), showcases both his directorial strengths and inconsistencies, starting as a compelling tale of brotherhood before shifting awkwardly into a psychological study.
The Drama is what you can call a 'feel-bad' romance done right, notes Sreeju Sudhakaran.
Toaster is neither a laugh-out-loud comedy nor the kind of satire you would expect from a premise like this, notes Mayur Sanap.
Explore the interesting trend in Bollywood where popular film franchises opt for entirely new lead casts in their sequels.
Eagle-eyed movie buffs don't miss a thing. Part of their passion for cinema is noticing clever little details slipped in by the filmmaker as ardently as the creative. With Easter Sunday just around the corner, Sukanya Verma digs up some super filmi easter eggs just for you.
'Each mother I have played is different, but the writing dictates the doing of it. If it's written well, that's half the work done for an actor.'
Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
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