The film is an honest and compelling political thriller that debates the arbitrary nature of capital punishment against the backdrop of a communist revolution.
Nerungi Vaa Muthamidathe touches several issues but does not hit the right notes, says S Saraswathi.
A simple yet effective script, well executed by the director, coupled with some enjoyable music, and the wonderful performance of Jyothika definitely make 36 Vayadhinile worth a watch.
Poojai is your standard Hari fare, says S Saraswathi.
Kamal Haasan's Uttama Villain is a thought-provoking period comedy that revolves around an aging superstar forced to face his own mortality.
Despite a good storyline, young enthusiastic cast and an impressive technical crew, the film barely manages to hold your attention, writes S Saraswathi
Director Sundar C lets his fans down with his clich supernatural thriller Aranmanai, rants S Saraswathi.
Director Surendran's Sagaptham is a slow paced, tiresome action drama.
Mahabalipuram is an attempt to shed some light on the plight of young innocent girls who are drugged, raped and filmed to cater to the thriving porn industry.
'Police brutality and lock-up deaths have been relevant forever. I believe this is why the film has appealed to everybody. We can all relate to the subject. We read about it every day. It is this harsh truth, this reality in society that has struck a chord with the people.' Filmmaker Vetrimaaran gets ready for the big Oscar race.
Tamil film Touring Talkies is let down by an almost insensitive script, weak characterisation and inept execution, says S Saraswathi.
S J Surya's Isai is definitely worth a watch.
Debutante director Sam Anton's Darling has a decent pace, some excellent comedy and an engaging screenplay, says S Saraswathi.
There may be flaws, but there is no denying that Karthik G Krish's Kappal is thoroughly entertaining. But do remember to leave your thinking cap at home, writes S Saraswathi
Vellaikaara Durai barely makes an impression. The story is let down by an aimless screenplay with tedious characters and average music, writes S Saraswathi
Director Prabhu Solomon's Kayal is heartrending tale of love set in the backdrop of the brutal tsunami of 2004.
Tamil film Vanmham really tests your patience, says S Saraswathi.
Arjun Sarja's Jai Hind 2 is a trite and uninspiring action drama that advocates free education for children.
Film reviewer S Saraswathi was disappointed as the screenings of Kamal Haasan's Uttama Villain were cancelled at the last minute due to some financial problems between the producers and financiers.
The film highlights the craze for cricket and the complete lack of empathy for any other sport
Jeeva lacks the unique touch that director Suseenthiran's works are generally associated with.
There is very little in the film to keep the audience engaged.
A well-executed film with good performances, Sigaram Thodu is definitely worth watching.
Director Jeeva Sankar's Amara Kaaviyam is an unmemorable love story, feels S Saraswathi.
Irumbu Kuthirai an uninspiring and lacklustre tale of a guilt-ridden biker, who blames himself for a freak bike accident that causes the death of his beloved father.
Jigarthanda is an engrossing gangster film with a series of bizarre twists and turns that keeps you guessing, writes S Saraswathi.
Yennai Arindhaal cleverly caters to Ajith's mass hero image
Thirumanam Enum Nikkah fails to live up to expectation despite the good performance by both Jai and Nazriya.
Director Shankar's I is an extravagant revenge saga that revolves around a beautiful tale of love sullied by jealousy, greed and anger, says S Saraswathi
Pizza 2-Villa is a well-written film, according to S Saraswathi.
Director Halitha Shameem, deserve credit for weaving an excellent suspense thriller like Poovarasam Peepee.
'The dark side is not me; I am a mama's boy,' Ganesh Venkatraman tells S Saraswathi.
K S Ravikumar's Lingaa works only because of the charisma and enigmatic screen presence of the Superstar, says S Saraswathi.
Thirudan Police explores the highly complex father-son relationship, while giving a realistic picture of the everyday life of a policeman.
Oru Oorla Rendu Raja is a tedious comedy drama that attempts to highlight the inhumane working conditions of factory workers in our country.
Cinematographer Ravi K Chandran's Yaan is a long, tedious and completely over-the-top action drama.
Thegidi directed by debutant P Ramesh is an exciting investigative thriller revolving around a massive insurance scam.
Vijay Antony's Salim is all about how an honourable man strikes back when he is pushed to breaking point.
It was a simple gesture of cleaning a temple but this act by a group of Muslim youths went viral on the internet. Members of the Jamaat-E-Islami Hind, who are involved in flood relief work in Tamil Nadu, speak to S Saraswathi.
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