'Those involved in the government had invested in cineplexes in Tamil Nadu, so they wanted Vishwaroopam stopped to further their gains.' 'When there was a difference of opinion, they started punishing the film by banning it.' 'It is ugly, tyrannical politics which the nation did not understand.' 'They broke me for Rs 60 crores.' 'Because I am a star, I am living to tell the story.'
Saluting Amjad Khan on his death anniversary on July 27.
'Sent off to interview him in the late 1970s I met him in a cafe in New Delhi's Regal Building called The Parlour. With impromptu send-ups of Laurence Olivier, Sybil Thorndike and the rich, gravelly tones of a well-known All India Radio Hindi newsreader called Devki Nandan Pandey, he soon had the whole restaurant listening in.'
Despite its many problems, A Death in the Gunj is an important work says Sreehari Nair.
When trains and stations become desirable again, we might have a murder mystery with the Mumbai-Ahmedabad bullet train as a setting.
Bengali film Asha Jaoar Majhe is a must watch, a once in the lifetime kind of work that should be supported by film lovers and experienced on the big screen, writes Aseem Chhabra.
'There is no discipline here -- only autocracy. The state is not governed by any democratic ideology. Democracy has ceased to exist here.'
India scored at the recently-concluded Telluride Film Festival, reports Aseem Chhabra.
'I am a dreamer, so I always dreamt that Village Rockstars would go places.' 'But I never ever imagined this.' 'The way people are responding... they come to me, hug me, they call me, shower me with love and I feel wonderful.'
'Modi's political economy is more inspired by Indira Gandhi than Vajpayee.' 'She so wanted an Opposition-mukt Bharat.' 'Sounds familiar?' asks Shekhar Gupta.
Shashi Kapoor, the star who made us laugh, romance and cry, passed into the ages on December 4. We look back at the often underrated actor, who reinvested all his earnings as an actor into making films and keeping the theatre he established, Prithvi Theatre, alive.
'This health emergency has brought a lot of people together with the common purpose of getting Feluda to play detective as quickly as possible.' 'As a scientist, if we can make a small difference in people's lives, we are happy'
Photographer S Paul, who died this month, was furiously protective about his independence and intensely sure about his work. So much so that he once walked away from a shoot with a prime minister.
'Satyajit Ray was somewhat tolerable; you didn't have to hang your head in shame.' 'Sholay is a series of stereotypes and borrowed ideas... And we are still singing praises of that film.' 'What would I make of two grown men behaving in this manner? It's deeply embarrassing.' If you thought Naseeruddin Shah was too frank with his opinions, he'd have to take a back seat to wife Ratna Pathak Shah, who doesn't waste a second, giving you her strong views on matters movies and personal.
Saeed Jaffrey lives on through his versatile body of work.
Indian Railways has to up investment to strengthen network just like China and Russia.
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Rituparno Ghosh's swansong Satyanweshi is a bit of a letdown, according to Indrani Roy.
A look at the top tweets from your favourite Bollywood celebrities.
The magical land of Changthang in Ladakh is the stuff of dreams, though it might be losing its pristine beauty to the onslaught of tourists and campers.
It reminds us why we like to watch films, writes Aseem Chhabra.
'A friend said there was a new phenomenon occurring during every screening. Audience members were mouthing the dialogues with the characters on screen.' 'It was a truly amazing experience. It was impossible to hear what was being said on the screen. There was so much noise, laughter and celebration in the theatre. And the film was not even a month old.' Aseem Chhabra remembers seeing Sholay twice in the couple of weeks after it opened.
Sukanya Verma shares her exciting filmi week with us!
Veteran actor Sadashiv Amrapurkar, who breathed his last this morning at Kokilaben hospital in Mumbai, will be remembered for his remarkable ability to make us both adore and abhor him with his on screen antics. Here's a look at his best performances.
Kamal Haasan's unrivalled make up skills, Jack Nicholson's haunting imagery, Asha Parekh's life as a Hit Girl and the surprise package of Beauty and the Beast, it's all there in Sukanya Verma's super filmi week.
Jaane Bhi Do Yaaro, Parinda, 1942: A LOve Story, Devdas, Kareeb, Mission Kashmir, Munnabhai MBBS, Rang De Basanti, Delhi 6, Bhag Milkha Bhag, Kalank... all bear the visual stamp of Binod Pradhan's genius.
'The scope of social networking as a form of journalism is limited. Yes, you can tweet a photo or write about, say, a policemen beating a protestor somewhere. But a real news story is complicated and analytical and it needs to be worked on... Journalism is not that simple,' Jonathan Franzen, arguably the greatest American novelist of his generation, tells Rediff.com's Sanchari Bhattacharya in a fascinating interview.
'There are many stories that could be made in the North East.' And here's one of them.
'At the end of the interview, as he walked with us to the elevator, he looked at me and said, "Do you think it was my karma that I should have made this film?"' Arthur J Pais/Rediff.com recalls his encounter with Richard Attenborough.
Detective Byomkesh Bakshy! stumbles considerably because of its simplistic plotting, says Raja Sen.
Before the Supreme Court struck down Sec 66A of the IT Act, it was used with devastating effect against anyone posting critical comments online.
Rangoon haunts in unlikely fashion and, while the director's most straightforward picture, holds enough of its own marvels to justify multiple viewings,' notes Raja Sen.
As Shah Rukh Khan turned guide in Jab Harry Met Sejal, Sukanya Verma looks back at Bollywood's original Guide.
'The biggest disappointment at the Berlinale is the very small representation of Indian films.'
If Manto, the film, falls short of being a masterpiece it's because Nandita Das could not quite crack the Manto code: She couldn't quite see the wholeness of her subject with the same eyes that Manto saw his people. This imperfection in the film, in a way, becomes the greatest tribute to Manto, feels Sreehari Nair.
'The overarching fact of modern social behaviour isn't that we are irresponsible women and men, but that we are never quite sure, when and how to act responsibly.' 'This is the real side of every Twitter outrage, where those who tweet about stories of 'unreported domestic abuse' end up feeling superior to those neighbours who are summoned up as clueless witnesses.' 'This view of the supposed spiritual decay of our times, which is at the core of Gali Guleiyan, is thus more fashionable than perceptive,' says Sreehari Nair.
'The relationship between Victoria and Tagore was one of mutual admiration and respect.'
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
Then chief minister Jyoti Basu once told an industrialist that capitalists were class enemies and he should expect no sympathy.
'That night -- when Gandhi won Best Picture at the 1983 Oscars -- belonged to India and it meant a lot to a young student like me, who was trying to establish his Indian identity among the Americans around him.' Aseem Chhabra/Rediff.com, who worked as an extra on Richard Attenborough's acclaimed biopic, salutes the late legend.
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