The Anupam Kher Show was everything it promised to be, notes Nishi Tiwari.
Sung and written by Kavi Pradeep, Dekh Tere Sansar Ki Haalat is a wistful commentary on the human condition and how it has only deteriorated over time.
'There are tremendous personal, economic and emotional costs to bear in a case.' 'And those costs were suffered by Priya and Priya alone.' 'Nobody goes happily to court and you wouldn't wish that on anyone.'
Bhaag Johnny is a mangled mess of a film, says Nishi Tiwari.
Is the Indian society ready to accord the dignity and consideration that mental illnesses warrant, asks Nishi Tiwari after watching the fifth episode of Satyamev Jayate 3.
Mission Sapne on Colors offers little in terms of novelty, says Nishi Tiwari.
Hum Sab Ullu Hain is a brutal assault on the senses, rants Nishi Tiwari.
Kaun Kitne Paani Mein fails to realise its potential, says Nishi Tiwari.
Almost everything about Zid can be best described as botched, says Nishi Tiwari.
Does our collective conscience awaken only on Sunday mornings, asks Nishi Tiwari about the latest episode of Satyamev Jayate 3.
I Love NY is criminally unremarkable, says Nishi Tiwari.
Miss Tanakpur Haazir Ho takes off with a great premise but fails to realise its full potential, says Nishi Tiwari.
Satyamev Jayate's newest episode -- Accepting Alternative Sexualities -- was a commendable effort to bring the discourse on Section 377 of the Indian Constitution on a mainstream platform, says Nishi Tiwari.
To lose a loved one in a matter of seconds or hear stories of them bleeding to death on a busy road are things few people would want to ignore -- especially if your Sunday ritual now involves watching Satyamev Jayate, writes Nishi Tiwari.
Satyamev Jayate 3 may have gotten off to a better start than its predecessors but can Aamir Khan dial it down a couple of notches further, asks Nishi Tiwari.
Vishal Mahadkar's horror film 3 AM is the story of a paranormal investigation gone wrong -- both for the film and the viewer, feels Nishi Tiwari.
Lekar Hum Deewana Dil struggles to find its own voice, according to Nishi Tiwari.
The Second Best Exotic Marigold Hotel loses the plot somewhere in the first 15 minutes, says Nishi Tiwari.
The Hundred-Foot Journey is reduced to plot holes and factual inaccuracies of surprisingly epic proportions, writes Nishi Tiwari.
Super Model is everything it shouldn't be -- dowdy, uninteresting, and clumsy.
There is more to this inventive Pizza than meets the eye, says Nishi Tiwari
MTV Splitsvilla 7 is the most mindless show even by reality TV standards, says Nishi Tiwari.
Saddled with glaring plot holes, caricaturish supporting cast, unintentionally funny punchlines, and Himesh Reshammiya, The Xpose is like Gunda, with better production values.
The comic punches in Dishkiyaoon are too few and far between, plot twists make little sense and are saddled with glaring loopholes, writes Nishi Tiwari.
If Mahabharat maintains the quality of writing and cast, we may have another winner among us.
The film leaves much to be desired, writes Nishi Tiwari.
18-time Oscar nominee Meryl Streep towers over everybody else in the film - thanks to her unparalleled acting prowess and the sheer intensity of the character she plays.
Nishi Tiwari feels Club 60 is amply peppered with some standout moments but the good parts end very quickly.
Thanks to the film's half-baked treatment, it is reduced to appearing like a flight of fancy.
The first half of War Chhod Na Yaar has the pitch-perfect tone of a war comedy with some real gems that bind the narrative, writes Nishi Tiwari.
Not even close, if you've watched the first episode of Bachelorette India: Mere Khayalon Ki Mallika.
The second episode ably shed some light on the lesser known side of police apathy -- another topical issue that has evoked nationwide anger lately. But did the topic fit in the show's format, asks Nishi Tiwari.
Happy Ending, at its core, is pretentious and doesn't quite live up to expectations, save for Govinda, who lights up the screen with his mere presence.
There is nothing the young Purvanchali wants more desperately than to escape to a place with less hopelessness, and some opportunity, discovers Shekhar Gupta.
'Kishore Kumar lived like a king and knew that he could get away with anything. It's as simple as that.'
'Being a star kid was fun because I used to get a lot of attention. But sometimes, that brought me a lot of criticism like, 'oh, she's so snooty.' People have their own notions about kids whose parents are famous but my upbringing was very normal.' Govinda's daughter Tina Ahuja talks to Nishi Tiwari/ Rediff.com ahead of her Bollywood debut.
According to Nishi Tiwari, the first episode of Koffee With Karan 4, with Salman Khan as its guest, was explosive.
'The work I did after my first film Jaan Tere Naam was crap. I delivered seven flops in a row before the industry wrote me off. That was probably the worst time of my life.' Ronit Roy takes stock of his acting career.
© 2026 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances