When I met him last year for his 75th birthday, he seemed frail. There was a sense of urgency. I will miss Stephen. His passing fills me with sadness.
The Mini Cooper S is a charming and spunky handler.
One couldn't help feeling a certain melancholy viewing these now vagrant documents and photographs that would never be rightfully cherished. The pictures spoke to you. They offered slices of extinguished lives. They breathed sadness too, for what could have been and will never be. The sweet promises that Life made and insolently, arrogantly never kept.
This is a brisk, enjoyable film, and while the climactic race is somewhat marred by an overdose of melodrama - Gupte's far better at subtler strokes than the few broad ones he tries - it is rare to find a Hindi film hero more deserving of our cheers than Arjun. That unfortunate hint of Bhaag Milkha Bhaag in the final race doesn't alter the fact that this is an earnest, important and evocative film.
In the 25 odd days that he has appeared before CBI Special Judge Jayendra Chandrasen Jagdale, you have experienced the entire range of emotions just observing him. Everything from pity to irritation. To bafflement. And shock. You have scoured his face, gazed into his eyes, watched his expressions and body language, searching vigilantly for motives. And come away no wiser. Who is Shyamvar Rai? Does anybody know?
It still isn't too late to plan your first trip of the year! Anita Rao-Kashi draws up this list.
'I am a labourer's wife, the mother of labourers. But I won't be a labourer's grandmother for sure,' she says in the hope that her grandchildren will have a bright future in the Bihar that will unfold in the next decade.
In the dangal of UP politics, much as Muzaffarnagar wants to leave its past behind, the shadows are never be far behind.
"Everyone knows me because of that terrible tragedy. My memories of Mosul only bring me sadness. How can I be proud about my fame? I lost everything there," Harjit Masih told Rediff.com's Swarupa Dutt over the phone.
Theatre director Saif Hyder Hassan talks about his new play Ek Mulaqat.
'The BCCI is -- and always has been, across successive dispensations -- allergic to criticism.' 'It has used the 'control' it enshrines in its name to destroy anyone who has dared to point fingers at its functioning,' says Prem Panicker, the distinguished cricket writer.
Back to Sheena Bora's grave, via e-time travel
Not Mekhail. Not Rahul. Not anyone. 'Wouldn't someone have asked?' Indrani asked.
From Pakeezah to Ladies vs Ricky Bahl, from Shatranj ki Khilari to Umrao Jaan, the great city of Lucknow has made its way to the wornderful world of Hindi films.
Single mother Gauri Sawant hopes to change the way people view transgenders in India.
'I did not imagine I would be offered a film like Sonali Cable,' Rhea Chakraborty gets candid with Sonil Dedhia.
'I don't come to the film with an agenda. I come to a film with a story. When the story excites me, I go bonkers.'
Mumbai's famous dabbawalas are reinventing themselves to meet the challenge posed by food delivery portals.
Over two years since the Nirbhaya rape shook the nation women in New Delhi feel no safer than they did before. With safety apps to self-defence classes on the rise, Ritika Bhatia takes a look at what working women in Delhi are doing to keep themselves safe.
Ganesh Chaturthi no longer has the power that Lokmanya Tilak had seen in it way back in 1893 -- the power of bringing people together. This, say 83-year-old Vinaysheela Govilkar and 19-year-old Arnav Thakker, is the festival's biggest tragedy.
Sudheendra Kulkarni pays tribute to friend, poet and Dalit activist Namdeo Dhasal who passed into the ages on Wednesday.
How many of these have aged well?
'It's very expensive for a girl to become an actress. I remember I was nominated at all the award shows for Tanu Weds Manu, and conscientiously, like a new actress, I attended all of them and I was bankrupt by the end of it! I had to find a costume stylist, a hair stylist, a makeup stylist...!' Ronjita Kulkarni/Rediff.com gets inside Swara Bhaskar's mind.
'When I was staying in Teen Batti (in south Mumbai), I had one washroom and we were 10 people. Today I have three washrooms and I am the only one using all of them. Can you see the quantum leap that I have taken in life?' Jackie Shroff gets candid.
'I remember Madhuri Dixit was very scared to do a rape scene with me in Prem Pratigyaa. After the shot, she said she couldn't even feel me touching her.' Ranjeet gets candid about his 'villainous' career.
'We used to say two things are found everywhere: A potato and a Sikh. I think you can substitute Gujarati for the Sikh because Gujaratis are everywhere.'
'Most of the time we do close-ups you'll be looking at the camera or your main lead, your leading lady, is left of the camera, right of the camera -- she's never there. So, your best close-ups are looking at some unfortunate-looking assistant director or a cameraman. All the romantic close-ups I'm looking at some guy.' Salman Khan tells P Rajendran/ Rediff.com how he shoots his romantic scenes.
Jo Jeeta Wohi Sikandar masterfully weaves a compelling human story, says Sukanya Verma.
The second part of journalist Rajdeep Sardesai's interview to Sheela Bhatt/Rediff.com.
'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
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