Despite occasional bursts of spunky comedy, the madness simply doesn't land as expected, and the overall vibe feels off with Vibe.
Shaque: Trust No One has a promising mystery and enough juicy red herrings to keep you guessing, but its convenient writing and dated clichs eventually derail the show.
Bakaiti Season 2 has the warmth and terrific performances to make the Katarias feel like family, but its repetitive conflicts and easy resolutions leave their struggles feeling oddly inconsequential, argues Sreeju Sudhakaran.
The Social Reckoning may lack the crackling energy of The Social Network, but Aaron Sorkin delivers a timely warning about what happens when a world-changing platform escapes the control of its creator.
From Baadshah to Happy Patel: Khatarnak Jasoos, these spy comedies prove that espionage can be a laughing matter, even when promising premises go sometimes spectacularly off course.
Sreeti Mukerhi's cliched coming-of-age delivers its moments of sass but never quite defines the age of confusion, sighs Sukanya Verma.
Familiar ideas, frustrating characters and stretched-out storytelling make #Love far less romantic than intended.
I'm Game starts with a wickedly fun possessed-hand premise and plenty of style, only to lose its grip in a predictable second half.
It's A Medical Miracle has a promising superhero premise and some genuinely inventive moments, but a wildly uneven screenplay ultimately squanders its potential.
Zach Cregger's Resident Evil delivers a scary, bloody and surprisingly funny ride that mostly gets away with its bold choices.
Sardar 2 has the interesting spy games, but too many convenient shortcuts and a tedious runtime leave this sequel struggling to match the crisp, engaging original, argues Sreeju Sudhakaran.
Khalifa wants to build a universe, but struggles to build a compelling film, leaving Prithviraj Sukumaran to carry a derivative thriller almost entirely on his shoulders laments Sreeju Sudhakaran.
From a scene-stealing child actor to a cult-comedy favourite and a director in his own right, Kunal Kemmu has delivered plenty of memorable turns across three decades.
Mutiny is so painfully predictable that even Jason Statham's trademark mayhem struggles to keep it afloat.
Despite facing numerous challenges including production delays and low initial expectations, The Vvaan has emerged as a significant box office success.
Suriya and Mamitha Baiju light up this warm-hearted family entertainer, even if the film loses some of its spark in the second half.
Yami Gautam turns Nayyi Navelli into a colourful supernatural ride, but the film's lavish trailer launch may have been even more dramatic than its trailer.
Arshad Warsi can create an air of levity around anybody but Vir Hirani's stiff screen presence as Pritam Parkar has no vibe to match his peevish, pitiable Pedro Gonsalves, observes Sukanya Verma.
Vikrant Massey, Vedika Pinto and Mahima Makwana are persuasive enough to hold ground even when their on screen actions leave you more flummoxed than fascinated, notes Sukanya Verma.
By putting Peter Parker back at the heart of the story, Spider-Man: Brand New Day delivers the MCU's strongest Spider-Man film yet.
Welcome To The Jungle's moment of truth arrives when Akshay pleads 'Hum sab bhand hain' in the face of fear and power. If only the rest of this slog was as self-aware as this single scene, notes Sukanya Verma.
Despite its uneven storytelling, Super Subbu deserves applause for turning India's discomfort with sex education into an entertaining, often insightful satire, notes Sreeju Sudhakaran.
Film folk celebrated Friendship Day on Sunday by sharing pictures of their friends as well as some heartfelt messages.
Minions & Monsters entertains with its cinematic nostalgia baits, even if it never quite escapes the franchise's familiar storytelling flaws.
Before Awarapan 2 tests his comeback, we revisit the 10 films that made Emraan Hashmi the ultimate frontbencher favourite.
A nostalgic trip through Goa reveals the real locations, conversations and behind-the-scenes stories that shaped Drishyam: The Conclusion.
Ahead of Spider-Man: Brand New Day, we rank every live-action Spider-Man movie from the critically acclaimed Spider-Man 2 to the less successful The Amazing Spider-Man 2.
The second season of the Russo Brothers' espionage series Citadel, falls short of its global ambitions due to muddled writing and a lack of compelling narrative depth, complains Sukanya Verma.
Tovino Thomas storms into Athiradi like a one-man festival riot, turning this colourful campus entertainer into a loud, chaotic and mostly enjoyable ego clash.
Sapne vs Everyone is dark, and often depressing. At the same time, it is not completely hopeless, notes Deepa Gahlot.
Accused's greatest lure is its queer couple at the centre of storm but by sidestepping their camaraderie for polite affection, the drama does itself immense disservice, observes Sukanya Verma.
Even with its flaws, Toh, Ti Ani Fuji stays with you because of how real it feels, notes Mayur Sanap.
Virat Kohli celebrated in style with some slick moves on dance floor to celebrate his match-winning half-century in the IPL 2026 final.
LIK: Love Insurance Kompany is an ambitious film for its setting, but underscores in both the romance and the humour departments. The world-building is vibrant, the ideas are relevant, but the storytelling lacks the depth and conviction needed to bring them together meaningfully
If dark and twisted crime thrillers and trauma-led violence interest you, you can binge-watch Daldal over the weekend, endorses Divya Nair.
At a time when the politics of hostility has engulfed the world and escalated it into senseless wars Main Vaapas Aaunga's unwavering belief in love is a testament to cinema's uplifting gifts, notes Sukanya Verma.
Anurag Kashyap, despite his claims of being done with Bollywood, continues to deliver compelling cinema, with his latest film 'Bandar' set to release on June 5.
'Could the impending new crisis, vibe coding, similarly create not a disaster like what befell Indian handlooms during the Industrial Revolution but another opportunity like what the Y2K crisis created?' asks Ajit Balakrishnan.
Kalamkaval, like any good work of art, suggests more than it shows, raves Arjun Menon.
Nothing about TMMTMTTM feels fresh. That includes the painfully uninspired romance between the leads, who lack both genuine chemistry as well as individual charm to make a romantic drama like this work, sighs Mayur Sanap.
