Abhay Deol shoots himself in the foot by acting in (and, inexplicably, producing) this monstrosity called One By Two that sucks all the goodwill out of an actor we usually like, writes Raja Sen.
'Jaffrey played all his roles with a characteristic elan and amiability: He looked like a clever, all-knowing, winking Super Mario, gloriously grey around the edges. Irresistible, really.'
Raja Sen looks back at all the 'genuinely thrilling' films and artists that were honoured at the 71st Golden Globes.
This is mostly a bloated, highly undistinguished bit of mythmaking, stuffed to the gills with cliched characters and motivations, says Raja Sen.
In March 1972, The Godfather was first screened in a New York theatre. The movies were never the same again. Forty six years later, longtime Rediff film critic Raja Sen talks about why that film means that much, and how it led him to a unique tribute.
Singh is Bliing is far too moronic to be saved, says Raja Sen.
'Imagine Hindi cinema without Lata Mangeshkar? Actually, you can't. And thank heavens for that.' As Lata Mangeshkar turns 85, Raja Sen pays a rich tribute to doyenne of the film industry.
Raja Sen lists the highlights from the 89th annual Academy Awards.
The Indian-American astronaut will fly the first space capsules built by private companies, SpaceX and Boeing.
Zubaan emerges, sadly, like one of those ads where you can half-hum the song but you forget what it was for, feels Raja Sen.
Yet, Guddu Rangeela never quite soars, says Raja Sen.
Raja Natwarlal has some smarts but tragically lacks the skill or the sleight-of-hand, feels Raja Sen
Raja Sen looks back at the good things that happened in Bollywood in the first half of 2015.
It ends poorly, sure, and has some clumsy moments on the way, but as a children's film, A Flying Jatt goes a helluva lot further than those Krrish things, feels Raja Sen.
The first half of Dishoom is breezy and snappy, and the increasingly irrepressible Varun Dhawan is on point, feels Raja Sen.
This thriller isn't merely predictable, but depressingly drab, says Raja Sen.
Will things be the same at Bahrain? Here's where we look to the front - by looking at what we've learnt.
The actors are good and Sujoy Ghosh is tremendous at creating a textured Bengal setting, but this is a thriller which could have used more twists and smarts, says Raja Sen.
Raja Sen was most thrilled about catching Jerry Seinfeld in India this weekend, but the performance has, it appears, been scrapped. For the most preposterous reasons. Here, then, is a script of Jerry and the gang dealing with the news.
The circuitous plot spins around the narrative like a yoyo gone berserk, keeping things tight but loopy, writes Raja Sen.
Raja Sen takes stock of Best Director nominees at Oscars 2015.
Raja Sen takes stock of the five Oscar nominees for Best Actress.
Sarbjit does indeed deal with a story worth telling, but does so in the most obvious and uninspired fashion, writes Raja Sen
The element of curiosity and chill is doubled when it's inspired from real-life manslaughter.
Raja Sen takes stock of the Oscar 2015 nominations.
Puli makes for a truly bad trip, warns Raja Sen.
'This is the year of the three Bs -- Budapest, Boyhood and Birdman -- and if you love the movies, one or all three of those will feature in your top bracket in English language cinema this year.' Raja Sen takes stock of the recently concluded Golden Globes.
Logan is a relentless and thrilling film, a film that takes things farther than you may imagine, writes Raja Sen.
'Good luck, Chaitanya Tamhane. May the jury system prove better for you than the bench trial did for your protagonist.'
Katti Batti is an imbecilic, cliche-ridden embarrassment that made me want to punch it in the mouth, says Raja Sen.
Oscar nominations 2014: According to Raja Sen, this year's chosen ones are (mostly) loud and showy examples of the best in the craft.
Are the National Awards are bending over backwards trying to celebrate popular cinema, simply in order to gain more relevance and eyeballs, asks Raja Sen.
Lingaa can get tiresome, especially with the too-long fight scenes, but remains constantly watchable because of the miraculously light way in which Rajinikanth continues to wear his megastardom around him, says Raja Sen.
All Is Well spends two hours desperately tickling the audience but the overall impact is one of torture, says Raja Sen.
Nothing in Baar Baar Dekho adds up, warns Raja Sen.
It is a spread so full, rich and varied it'd satisfy most cinematic gluttons.
Rang Rasiya is not a consistent film, but one that tells a story of a pioneering artist and visionary, a story decidedly worth telling, says Raja Sen.
'The uniform might be the most accurate thing about this film, however, a painfully tacky production where all the sets look like over-saturated cardboard,' says Raja Sen.
The genius of Deadpool lies in the audacity of its storytelling, raves Raja Sen.
Kabali has nothing new to say or offer, besides Rajinikanth playing his age, feels Raja Sen.
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