It ends poorly, sure, and has some clumsy moments on the way, but as a children's film, A Flying Jatt goes a helluva lot further than those Krrish things, feels Raja Sen.
'I am not saying that all women were always right and all men have always been wrong.'
Singh is Bliing proves all that glitters is not gold, says Sukanya Verma.
Before Vishal Bharadwaj's advent, several Hindi filmmakers had attempted screen adaptations of Shakespeare's various works, with varied success.
What if we these popular American television series were made in India?
Looking at the most touching Hindi movies inspired by true-life events.
'Before I started Haider, I read a little bit of Hamlet. I saw a Russian version of Hamlet and, honestly, I got bored halfway through.' But Shahid claims his latest film is the best movie of his career yet.
All this and more in Subhash K Jha's Bollywood Buzz.
Nikita Puri lists the best shows and films to watch online as you ace social distancing.
Bombay Velvet paints a pretty postcard but not the soul of its decade, feels Sukanya Verma.
These sequels have failed to match up to their first installments.
'Katekar kya hai? Wardi ke neeche ek insaan hai.' 'System me pissa hua aadmi hai.'
'Reading a newspaper is as important to me as reading a script. Sitting in a caf and drinking coffee is as important as going for a shoot.' Peeking into Atul Kulkarni's life.
'I choose the best of what I get. I will not do every Hindi film that comes my way. I would rather wait and do good films than do rubbish films because I will have no career left. It's tough in Bollywood because there is a lot of competition. You have to create a niche for yourself.' Raima Sen tells us why she's been away from Bollywood.
'In the 1990s, wherever I would go for work, I would see Tabu dancing in a studio.'
Ram Gopal Varma is back with Part Three of that series, which presented to us the first clear evidence that the great man was slipping, rues Sreehari Nair.
Here's looking at Bollywood's tryst with luxury cruise liners.
Yudh has really rubbished my expectations, rants Raja Sen.
'The overarching fact of modern social behaviour isn't that we are irresponsible women and men, but that we are never quite sure, when and how to act responsibly.' 'This is the real side of every Twitter outrage, where those who tweet about stories of 'unreported domestic abuse' end up feeling superior to those neighbours who are summoned up as clueless witnesses.' 'This view of the supposed spiritual decay of our times, which is at the core of Gali Guleiyan, is thus more fashionable than perceptive,' says Sreehari Nair.
Haider will haunt you long after you've left the theatre, promises Sukanya Verma.
Bombay Velvet is an obviously shallow film, an all-out retro masala-movie with homage on the rocks and cocktail-shakers brimming with cliche.
Rana Daggubati on the The Ghazi Attack and Baahubali, the sequel.
'When you are half decent looking, you want to look like yourself, especially in your first project. But it was important to do justice to the role, especially when it is such a big project. I don't want to play the lead and look like a hero. I am open to do character roles, what is the harm in it?' Dangal actor Aparshakti Khurrana looks ahead in life.
'With Tanu Weds Manu, I discovered myself.'
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