Rediff's film critic Raja Sen lists her top Hindi movies of 2015.
Karan Johar raves about this week's movie release, Good Night Good Morning; calls it celebral.
Here's thanking you for being you, writes Raja Sen.
Rediff's film critic Raja Sen lists his worst Hindi movies of 2015.
Dhobi Ghat is a middling debut by Kiran Rao, watchable due to its nuances but simply not interesting enough to recommend.
Join film critic Raja Sen as he deconstructs the show at length with Rediff readers from 2 pm to 3 pm on January 14, only on ZaraBol.
Rediff's film critic Raja Sen lists his top 10 actors of 2015.
The film is well made and strongly acted but is not as enjoyable to watch as it deserved to be.
No Problem is devoid of taste, flavour and jokes.
Raavan's deadliest sin isn't in the clumsy dialogue, hammy acting or lame, oversimplified adaptation but in that it fails to engage us.
Farah Khan's Tees Maar Khan is so silly, it hurts.
The one and only Sachin Tendulkar has been motoring along with phenomenal precision for the last few years, and the mammoth occasion of the ton of tons, the hundredth of hundreds, ought to be a moment of immensely heady celebration, a hitherto unimagined batting record that should galvanise the nation and bathe it in bubbly as we toast and thank our stars, says Raja Sen.
Director Marc Webb's strength as a director lies in just how smoothly he flips genres, switching between gears with immaculate ease.
It's been a truly solid year, one where we have many more than 10 movies worth applauding!
Arjun Rampal is the best thing in the biggest budget Indian feature of all time, says Raja Sen.
ZNMD doesn't earn our laughs, says Raja Sen.
Catch the review, right here!
Raja Sen completes 10 years of film-reviewing for Rediff.com. In the third of a special series, we look at his most cruel movie reviews!
Some words on The Amazing Spider-Man ONLY for those who have already watched it. After writing a completely spoiler-free review, lifelong fan Raja Sen finally explains why the reboot matters.
Rediff's film critic Raja Sen lists his best Hindi songs of 2015.
Guzaarish starts off slow and beautiful, but gradually, sadly congeals into a wet mess.
'Self-importance and egos were thrown aside as a dazzling assemblage of Hindi movie directors arrived at the venue, more than a half hour ahead of the scheduled time... It was fascinating to see all of Hindi cinema represented in one hotel ballroom... The assemblage was magnificent -- from Shyam Benegal to Anurag Kashyap to Abbas-Mastan to Gauri Shinde to Rajkumar Hirani...' Raja Sen was present at an evening not to be forgotten.
The film looks really good, but ends up being a drag.
Khelein Hum Jee Jaan Sey is a clumsily structured, unevenly paced film, with very few good moments.
Raja Sen lists his reasons for not wanting to watch Rohit Shetty's latest comedy Bol Bachchan.
Here's my list of 10 reviews that generated the hottest debates and arguments, reviews that a lot of you disagreed with and reviews I still hear complaints about.
'And then came a mail from Sourabh, talking about how I'd forgotten his birthday but also --in that offhand way -- mentioning how he'd been diagnosed with cancer.'
2012 has been a highly unpredictable season, but will it be the year of the underdog? We're likely to see a bit of a see-saw situation over a season where, well, we're all still guessing, notes Raja Sen.
Raja Sen completes 10 years of film-reviewing for Rediff.com. In the first of a special series, we look at his best-reviewed movies!
The film is so bad, it belongs to an entire different league of idiocy.
We're in for a year of fuel-management and engines with laryngitis. Gone is the full-blooded roar resonating through Formula One as the sport tries to reinvent itself, writes Raja Sen.
Salman Khan does his thing like only he can in Jai Ho. And the crowd responds. Raja Sen shows us, in his review.
Dharmendra's oeuvre was so phenomenal that there was never a phase in his professional life when he was in danger of falling into a rut, in terms of either the kind of films he starred in or the sort of co-actors he worked with.
Shah Rukh Khan yelps and squeaks and shrieks and bares fangs and pouts and, well, exhausts himself overcompensating at every step, despite nobody else in the film following this template.
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