The film fails to connect with the audience.
The movie gives some hope that Malayalam cinema is on the path of revival.
The Malayalam movie takes on the scourge of alcoholism but fails to make any impact.
The film shows how a nuclear family might face situations in times of grave crisis. But there is too much negativity.
Kanyakumari Express has Suresh Gopi playing a cop again, but the Suresh Babu-directed film fails to deliver.
The movie is a typical one man taking on the corrupt system role with nothing original to speak of.
Dealing with a middle-aged romance and starring Lal and Shwetha Menon, Salt N' Pepper leaves the viewer satiated.
The basic thread of the Malayalam film is taken from the Hollywood film The Bucket List starring Jack Nicholson and Morgan Freeman. But the comparison ends there.
Director Sibi Malayil's has given far better film than Violin.
The actors are in fine form but they do not have anything solid to work with.
Cocktail, inspired by Pierce Brosnan starrer Butterfly on a Wheel, stars Jayasurya, Anoop Menon and Samvrutha Sunil and is a decently made thriller by debutant director Arun Kumar.
Why did Srikanth choose such a B-grade film as Uppukandam Brothers Back in Action to make his debut in Malayalam films?
Chekavar, written and directed by newcomer Sajeevan is an effort to project Indrajith as a typical action hero. Watch it only if you hero worship Indrajith.
Stay away from this Malayalam film.
Director Jayaraj swings between telling a touching tale and pushing a typical star vehicle.
Though the Malayalam film cannot be termed as Lal Jose's best work, yet it carries his stamp nonetheless.
Seniors may turn out to be a commercial success as its humour tickles the baser instinct of the audience.
Yakshiyum Njanum, director Vinayan's rebellion against mainstream is substandard fare to say the least. The newcomers Gautham and Meghana deserved better.
Urumi scriptwriter Shankar Ramakrishnan shares his experience of being a part of the historical adventure.
This heavily inspired film is full of cliches and boring performances.
The film's storyline is wafer-thin and predictable.
Kutty Naduvil's Malayalam film is a kind of a film that would make you squirm in your seat.
Prithviraj shines. Other than that, there's nothing much to write home about.
The supposedly suspense thriller is anything but entertaining.
Jounalist turned scriptwriter Joshua Newtonn talks about writing for the Malayalam film.
On the whole, The Film Star may have noble intentions but ends up being loud and coarse.
Malayalam film Nellikka lacks bite, feels Paresh C Palicha.
The story of Aadu Oru Bheekara Jeeviyanu oscillates between political satire and slapstick, says Paresh C Palicha.
There's something missing in Shajahanum Pareekkuttiyum, feels Paresh C Palicha.
It is the charm and the freshness of the young cast that makes Aanandam work, says Paresh C Palicha.
Ennu Ninte Moideen is a worthwhile effort.
Acha Din is quite a disappointment as it lacks depth, even though it deals with a serious subject.
Karinkunnam 6s may lack the depth to be a great film but it's worth a watch, says Paresh C Palicha.
Even super star Mohanlal can't salvage the disaster that is Malayalam film Rasam, says Paresh C Palicha.
Vettah is not as satisfying as promised, feels Paresh C Palicha.
Saptamasree Taskaraha is an enjoyable comic thriller, says Paresh C Palicha.
The humour in Rockstar waters down the impact of some of the serious issues being raised, writes Paresh C Palicha.
Rima Kallingal and Manju Warrier give powerhouse performances in Rani Padmini, raves Paresh C Palicha.
Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha.
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