Lenin Rajendran's Makara Manju is watchable but you have to brush up your knowledge of mythology and history to fully appreciate it.
On the surface this film looks like a frame to frame copy of Nadodigal. But it still works though it is difficult to pinpoint the reason why.
The much awaited second film of director Ranjith Sankar shows that he has the staying power.
There are images throughout the film that portray the transformation a character goes through very well without being preachy or pedantic.
It takes a while to connect the dots in this youth-centric film.
The film jolts you and keeps you riveted to the screen.
The film's premise does not inspire confidence and even the humour does not have the requisite fizz.
Prithviraj's gift to his fans this festive season is disappointing.
There confusion galore in this Malayalam movie.
Manushya Mrugam, is dominated by Babu Raj but is an average film with plenty of lecherous characters.
Samir Thahir's directorial debut with Vineeth Sreenivasan and Fahadh Faasil in the lead leaves us with a feeling that it could have been better.
The directorial debut of Siddharath Bharathan is a remake of his father Bharathan's film of the same name made three decade ago
The film talks about the trauma of a rape victim and the pain her loved ones suffer due to this.
The film talks about small men dreaming big but doesn't fails to pull off the story.
The movie deserves every accolade that has come its way.
Oridathuoru Postmam, directed by Shaji Azeez with Kunchako Boban in the lead and Innocent in the title role, is yet another film on the father-son relationship. Wish it had kept things simple.
The film may still pull in crowd because of publicity.
T V Chandran tries unsuccessfully to make a funny ghost story.
Director Ranjith gives his best in Pranchiyettan and the Saint.
Janapriyan is a social drama peppered with humour but it is not as endearingly as it had promised to be.
Director Vinayan's latest offering pulls Malayalam cinema to a new low.
The film has outdated theme of the abuse of the internet and the disadvantages of an urban lifestyle.
Though this Malayalam film tends to be melodramatic at times, it is credible in the final analysis.
Dileep, Kavya Madhavan and Manoj K. Jayan in the lead, try to fit in too much, leaving viewers confused.
There's hardly anything to complain about this Malayalam film.
The Malayalam film does not deserve to be called a Meera Jasmine film.
The film feels like a replay of the 'Best of Priyadarshan' from his earlier film.
The film does not make any sense if you want to take something back from it.
The plot takes a backseat as soon as the stars make entry.
The film ends up being a cross between a spoof and a mimicry show.
Payyans does not present anything extraordinary or radical and ends up being an average film.
Sathyan Anthikad mixes his recent successful films to make Snehaveedu
Khadama realistically shows the sufferings of lower class labourers in the Gulf.
There's nothing new about this Malayalam movie except Jayaram's look.
The Malayalam movie fails to live up to its promising premise.
Directed by debutant K Biju with Kunchacko Boban in the lead is a typical campus film
The film has to depend on its protagonists to work and is much below expectations from a director of Blessy's calibre.
Director Lal's film is a huge disappointment.
First time director, Martin Prakatt gives us a heart warming film that feels real even when it has a fable like premise.
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