The top posts on social media from your favourite Bollywood celebrities.
'She was like a creation of God which he does whenever he is in a very special mood as a very very special gift to mankind.' 'I think he creates such exquisite pieces of art like her only once in a thousand years.'
This is not a film worth recommending, says Raja Sen.
A look at the top tweets from your favourite Bollywood celebrities.
'It is quite overwhelming, as a young filmmaker, to be in the presence of so many great filmmakers.' Jennifer Alphonse is ready for her second Cannes calling.
A look at the top tweets from your favourite Bollywood celebrities.
A look at the top tweets from your favourite Bollywood celebrities.
It is hard to believe that RGV chose to make a sequel to his most iconic creation as both the films, Satya and Satya 2 have nothing in common.
'Katekar kya hai? Wardi ke neeche ek insaan hai.' 'System me pissa hua aadmi hai.'
'Once The House Next Door becomes a hit, instead of Baahubali, this will become the reference point.' Yes, Siddharth is very confident of his latest film.
These sequels have failed to match up to their first installments.
Jazbaa is a mercifully brief movie, just about two hours long, but that's about it in terms of the good part, warns Raja Sen.
'There has been a lot of ups and downs, unexpected highs and unimaginable pain, almost thinking that I'm going to die.'
'I prefer calling myself a 'film activist' rather than a filmmaker,' Mahesh Kathi tells Radhika Rajamani/ Rediff.com
Christopher Nolan's next, Gulzar's gussa, Shyam Benegal's Shivaji and RD's Lawrence of Arabia connection, catch all this and more in Sukanya Verma's super filmi week.
Asin joins a long list of actresses, who married rich businessmen!
A look at the top tweets from your favourite Bollywood celebrities
The top posts on social media from your favourite Bollywood celebrities.
Here looking at 10 of Bollywood's best-known crime movies.
Ram Gopal Varma's Veerapan to hit the screens this Friday.
A look at the top posts on social media from your favourite Bollywood celebrities.
A look at the top posts on social media from your favourite Bollywood celebrities.
'The biggest success of Andhadhun is that viewers are thinking and debating about it. I didn't expect it,' Sriram Raghavan tells Ronjita Kulkarni/Rediff.com.
'A friend said there was a new phenomenon occurring during every screening. Audience members were mouthing the dialogues with the characters on screen.' 'It was a truly amazing experience. It was impossible to hear what was being said on the screen. There was so much noise, laughter and celebration in the theatre. And the film was not even a month old.' Aseem Chhabra remembers seeing Sholay twice in the couple of weeks after it opened.
'I used to be humiliated.' 'If I would approach an actor, he would just say hello and then turn away.' 'That's when I understood the whole game of the industry.'
We look at 52 of them, spread over 52 Fridays, in a two-part special. Here's the first part.
'If not now, then when will I take risks and enjoy myself?'
'I had to jump from the ninth floor, breaking through the glass. The timing went wrong and instead of landing on my feet, I landed on my head. People thought I was dead, but I stood up.'
'Sci-fi is a very expensive genre; I need to become a much bigger star for people to invest that kind of money in me.' 1920 London actor Sharman Joshi talks about his favourite genre, and why he won't be doing it anytime soon.
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
Onir blasts Bollywood for being regressive.
25 years on, we see how these actors have fared.
'I don't remember (watching) a good horror Hindi movie in a long time. I like films like Bhoot, Raaz and the first 1920. I wouldn't even include the second 1920 in this.' Meera Chopra is all set for 1920 London.
'I truly believe that I wake up every morning feeling successful, happy, grateful and thankful for the life I have.' 'Fifteen years, and I am still around and being offered films.'
'The directors of these movies to me are less like artists and more like red-pen remarkists, whose idea of a script is basically checking off the broadest of issues in the broadest possible ways: Sexism, Check. Misogyny, Check. Loving yourself, Check,' says Sreehari Nair.
'You ask him for anything and he gives you more than you expect.' 'Though I work with Rahman again and again, it is not because it is comfortable. In fact, we push ourselves to a discomfort zone.'
Sreehari Nair wasn't impressed with Rangoon at all. But find out which film tops his list!
Rediff.com celebrates 40 years of the beloved movie classic.