The latest updates from the Malayalam film industry.
The latest updates from the Malayalam film industry.
The OTT scene is bursting with action. Sukanya Verma gives her 10 exciting new recommendations for the week.
The latest updates from the Malayalam film industry.
'They are not called the President's National Awards for no reason.'
The latest updates from the Malayalam film industry.
The latest updates from the Malayalam film industry.
Actor turned director Vineeth Kumar talks about his directorial debut and his passion for films
A lowdown on what's going on in the Malayalam film industry.
The latest updates from the Malayalam film industry.
Feeling the heat and tension of the crisis? Fikar not!
A lowdown on all the goings-on in the Malayalam film industry.
A look at the seven Malayalam films that scored in the first half of 2016!
With Joji, Dileesh Pothan has found a way, once more, to use everything he has learnt to further push the boundaries of his art, observes Sreehari Nair.
'I might in the future step out of a Dileesh Pothan movie not completely satisfied, but content I'll be in the knowledge that our greatest living film-maker had failed striving to be something more than just an auteur,' notes Sreehari Nair.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
Kumbalangi Nights is one of those movies that will put you in a good mood every time you watch it, promises Anita Aikara.
God's Own Country is over-written -- characters explain everything in words when a mere change of expression would do.
A wide range of Malayalam movies is set to hit the screens in the coming months.
In 2020, Hindi cinema had a tough time staying on par with its southern counterparts.
1 by Two is a let down considering the expectations it had raised before its release
Every film that Sriram Raghavan makes is a compendium of ideas and sensations that tickle him. Trying to remake a Sriram Raghavan film is like getting excited by somebody else's goosebumps, observes Sreehari Nair.
The argument that the pandemic has given a boost to streaming video is fallacious. Only three OTTs saw a rise in viewership; the others fell.
Malayalam actor Sharafudheen talks about the films that defined his career.
What Director Mahesh Narayanan captures perfectly in C U Soon is the texture of our online conversations, observes Sreehari Nair.
Bangalore Days director Anjali Menon discusses her films and more.
'Mahesh Bhavana is a young man who is beaten up in the town's marketplace and who consequently pledges that he won't wear his slippers again, till he avenges the beating.' 'But Mahesh can't get his revenge that easily -- his punisher is off to a distant land. So what does Mahesh do? He waits. And the town waits with him. And we wait with him.' 'Maheshinte Prathikaram is one of those movies where I didn't know what hit me. I don't remember another movie -- at least in recent times -- that I surrendered to with such happiness,' says Sreehari Nair.
Biju Menon tells Divya Nair/Rediff.com how he transformed himself to play a 73 year old character, one of his most challenging and satisfying roles as an actor.
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
Aseem Chhabra lists his favourite Indian films of 2021.
All of us have filmi shaadi favourites. Tell us yours!
Sreehari Nair reviews Ayyappanum Koshiyum.
There's a lot happening in Bollywood, Hollywood and world cinema this year.
Malayalam film audiences, who had spent close to two decades waiting for something truly interesting to watch at the movies, seem to be finally getting their due.
Showbiz shaadis that made headlines in 2014.
'If you can tell the quality of a movie-watching experience, only and only by referring to set standards, you *aren't really* going to the movies,' argues Sreehari Nair.
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