The narrative has some gaping holes, but one can ignore them as the subject is not dealt in a serious or profound manner.
Love does conquer all in Bollywood.
Director Prabhu Solomon's Kayal is heartrending tale of love set in the backdrop of the brutal tsunami of 2004.
Fair trade watchdog CCI has approved Microsoft's proposed $7.2 billion acquisition of Nokia's mobile devices business, citing that the deal would not have adverse impact on competition in the Indian market.
Malayalam film Bangalore Days boasts of fine performances, says Paresh C Palicha.
Months before Fairfax Financial Holdings Inc bid $4.7 billion for BlackBerry Ltd, Fairfax boss Prem Watsa played a role in securing a golden parachute worth as much as $55 million for the smartphone maker's chief executive.
Umar claimed that he was being labelled a terrorist because of Islam, which, he said, he did not practise.
Oru Oorla Rendu Raja is a tedious comedy drama that attempts to highlight the inhumane working conditions of factory workers in our country.
Naiyaandi is a rural romantic comedy that lacks a good story and seems more like an amateur, half-hearted and a disappointing attempt.
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Pattam Pole is unconventionally bold with the way it deals with the issue of live-in relationship.
To those who feel that Dhadak doesn't measure up to Sairat, Kshamaya Daniel, 19, has one piece of advice: We're talking about wine here, not scotch.
Lekar Hum Deewana Dil struggles to find its own voice, according to Nishi Tiwari.
Take a look at the releases and vote!
What if these old classics were made in today's times? Sukanya Verma figures it out.
Enna Satham Indha Neram is a dull and unexciting film revolving around four 8-year-olds who get lost in a zoo during a school excursion.
Escape from Uganda is a film that tries to thrill but fails to do so.
'Jackson presents me better than my previous films.' Kannada actress Pavana talks about her look in Jackson.
Sreehari Nair introduces you to three promising movies coming up.
Anurag Kashyap's lovers have no enemies to shoot, says Sreehari Nair, and so they take aim at each other.
'Who will cast me?'
'It's all about how many Instagram followers you have, which ramp you're walking on,' the actress who is sensational in Sacred Games tells Rediff.com's Ronjita V Kulkarni.
For 40 years they held out against the social institution of marriage, holding strong to their views that their love did not need the sanctity of a thaali (mangalsutra). They were barely out of their teens when they first met each other. In a year, they had made the decision to live together and over the next four decades that's precisely what they did. Live, work, have a child and nurture their family -- the thought of legalising their union never occurred to Kunjukunju and Leelamani.
Dhadak is a film that turns Nagraj Manjule's vision into naught, only so that a few more zeroes can be added to Karan Johar's bank account, says Sreehari Nair.
Indrani Mukerjea wanted her husband Peter to believe that she was neither mother nor sister of Sheena and that the 24-year-old victim was very much alive, said the CBI.
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The film gets repetitive after a point.
The extremist outfit has a tainted past and has been entangled in different legal cases for extortion, rioting and instigating violence
'Aditya Chopra thought the climax was too cliche but he still wanted to end the film on that note. He was adamant about it.' Cinematographer Manmohan Singh takes us behind the scenes of Dilwale Dulhaniya Le Jayenge.
Nitish Kumar and his officials maintain that Bihar has one of the lowest crime rates in India. Bihar police crime data indicates otherwise.
2 States, for all its modern touches, is a very regressive film, deeply rooted in old fashioned values that surely make no sense in the India of 2014.
Can you even imagine the fear that must have passed through Kiran Rao's mind, asks Syed Firdaus Ashraf.
One year later, Rediff.com's A Ganesh Nadar travels to Ilavarasan's village, and finds out that cast culture still prevails at its worst in Tamil Nadu
Bajrangi Bhaijaan is an overearnest, oversimplified, preposterously sweet and frequently schlocky film, which works because of a finely picked supporting cast, some sharp lines of dialogue and, most crucially, because of its overall heart, writes Raja Sen.
'My stay in Mumbai was taken care of by Vinod Khanna, food by Daisy Irani, work was provided by Feroz Khan, and Sunil Dutt paid me without my doing any work. My wife is 12 years younger than me. She was a child artiste. I got the title Shakti Kapoor: Cradle snatcher. But she was too good so I decided to marry her. I will marry Shraddha off after three years. I don't want her to be an older heroine or marry at 40. I want her to marry at the peak of her career. But I will not force her.' Straight talk from Shakti Kapoor.
'Most of those involved in these honour killings are the people who belong to the class that feels left out.' 'The high development index in a way is perpetuating conditions that result in social tension.' 'The only solution to the problem is politicise inter-caste marriages.'
Formidable challenges including funds for the farm loan-waiver, and law and order stare him at his face, with the opposition claiming the misses have outnumbered the hits.
Chaar Cutting is the perfect choice for the YouTube generation -- rich in variety and easy on the attention span, writes Paloma Sharma.
'DDLJ gave my career a boost, and placed me on a pedestal.' Farida Jalal relives the DDLJ moments.
The incidence of more crimes across Tamil Nadu is threatening to make law and order an inevitable poll issue in the state-wide local bodies elections due only months from now, says N Sathiya Moorthy.
'I was hesitant initially because I thought Amrish Puri's role was bigger than mine. But when I shot for the film, I realised Adi's casting was so good that no character could be replaced.' Anupam Kher goes back in time.
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