Indrani Mukerjea wanted her husband Peter to believe that she was neither mother nor sister of Sheena and that the 24-year-old victim was very much alive, said the CBI.
The film gets repetitive after a point.
The extremist outfit has a tainted past and has been entangled in different legal cases for extortion, rioting and instigating violence
Nitish Kumar and his officials maintain that Bihar has one of the lowest crime rates in India. Bihar police crime data indicates otherwise.
'Aditya Chopra thought the climax was too cliche but he still wanted to end the film on that note. He was adamant about it.' Cinematographer Manmohan Singh takes us behind the scenes of Dilwale Dulhaniya Le Jayenge.
2 States, for all its modern touches, is a very regressive film, deeply rooted in old fashioned values that surely make no sense in the India of 2014.
Can you even imagine the fear that must have passed through Kiran Rao's mind, asks Syed Firdaus Ashraf.
One year later, Rediff.com's A Ganesh Nadar travels to Ilavarasan's village, and finds out that cast culture still prevails at its worst in Tamil Nadu
Bajrangi Bhaijaan is an overearnest, oversimplified, preposterously sweet and frequently schlocky film, which works because of a finely picked supporting cast, some sharp lines of dialogue and, most crucially, because of its overall heart, writes Raja Sen.
'My stay in Mumbai was taken care of by Vinod Khanna, food by Daisy Irani, work was provided by Feroz Khan, and Sunil Dutt paid me without my doing any work. My wife is 12 years younger than me. She was a child artiste. I got the title Shakti Kapoor: Cradle snatcher. But she was too good so I decided to marry her. I will marry Shraddha off after three years. I don't want her to be an older heroine or marry at 40. I want her to marry at the peak of her career. But I will not force her.' Straight talk from Shakti Kapoor.
Formidable challenges including funds for the farm loan-waiver, and law and order stare him at his face, with the opposition claiming the misses have outnumbered the hits.
'Most of those involved in these honour killings are the people who belong to the class that feels left out.' 'The high development index in a way is perpetuating conditions that result in social tension.' 'The only solution to the problem is politicise inter-caste marriages.'
Chaar Cutting is the perfect choice for the YouTube generation -- rich in variety and easy on the attention span, writes Paloma Sharma.
'DDLJ gave my career a boost, and placed me on a pedestal.' Farida Jalal relives the DDLJ moments.
The incidence of more crimes across Tamil Nadu is threatening to make law and order an inevitable poll issue in the state-wide local bodies elections due only months from now, says N Sathiya Moorthy.
'I was hesitant initially because I thought Amrish Puri's role was bigger than mine. But when I shot for the film, I realised Adi's casting was so good that no character could be replaced.' Anupam Kher goes back in time.
No BJP president is powerful when the party is in power. Amit Shah is completely dependent on Narendra Modi's clout. He has a protective political immunity and everyone knows its source, says Bharat Bhushan
'I have been a part of more than a dozen films as a cinematographer but this was the smoothest shoot of my life. There was not a single day, when I wondered how a particular shoot would be done.' Meet Running Shaadi director Amit Roy.
On Hrishikesh Mukherjee's 91st birth anniversary on September 30, we bring back a Rediff Special done on the brilliant filmmaker in December 2002.
In our special series revisiting great Hindi film classics, we look back at Randhir Kapoor and Jaya Bhaduri's 1972 film, Jawani Diwani.
Hasee Toh Phasee takes a familiar premise -- two people on the brink of tying the knot and introduces a third party to cause expected stir. Only it doesn't happen like it used to, writes Sukanya Verma.
Chennai Express is a full throttle masala entertainment ruled by Shah Rukh Khan's star power
Taapsee Pannu on what makes her tick in the film industry.
Education is not simply a private affair whereby we can say that good money buys good education and little money buys not-so-good education, says Shubhashis Gangopadhyay
From extreme poverty to building a company worth Rs 60 crore, Raja Nayak's incredible rags-to-riches story is an inspiration for all.
'All that Maharashtra can give someone whose husband has died is a piece of cloth. That was extremely tragic for me.' 'If you go back historically there is no reference to Maharashtra whereas there is complete reference to Vidarbha.'
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
Most juvenile remand homes are in appalling condition and need a massive overhaul. But whether redrafting the law will bring down juvenile crime is the moot question. What is required better remand homes, more specialised care rather than to expose young people to the trauma and stigma of adult jails, says Rashme Sehgal.