Despite its uneven storytelling, Super Subbu deserves applause for turning India's discomfort with sex education into an entertaining, often insightful satire, notes Sreeju Sudhakaran.
From Ramayana Part 1 and Alpha to King and Toxic, here's why the next six months could be one of Indian cinema's most exciting line-ups in years.
From blink-and-miss song appearances to scene-stealing guest roles, Hrithik Roshan has turned even cameos into memorable moments.
Not only is Samay Raina going the Kapil Sharma route by bringing celebrities as special guests on his show -- which also means he has to be careful that his jokes don't land them in trouble as well -- but he also has to promote sponsors blatantly, observes Sreeju Sudhakaran.
Former CPI(M) leader G Sudhakaran has accused the party of engaging in caste-based campaigning in the Ambalapuzha constituency, leading to a heated exchange with party officials.
As a film, Maa Inti Bangaram frustrates; as a milestone for Telugu cinema's female-led stories, it deserves to be celebrated.
Despite its intriguing premise, Uyir never quite cracks the mystery, relying instead on emotional drama to deliver its final blow.
Akshay Kumar runs away with Welcome To The Jungle, but a few unexpected scene-stealers ensure he isn't having all the fun.
Con City has a fun premise and a handful of clever scams, but its biggest con is convincing you it's smarter than it really is.
Indrans' standout performance deserves a sharper screenplay than this over-edited, all-too-familiar revenge saga, rues Sreeju Sudhakaran.
Gram Chikitsalay Season 2 returns with a confirmed connection to Panchayat universe and a more heartwarming narrative, observes Sreeju Sudhakaran.
From Peranbu to Bramayugam, Padma Bhushan winner Mammootty's recent filmography is proof that legends can keep reinventing themselves, even post 70.
Before Welcome to the Jungle, here's a look at the movies where Akshay Kumar tried to entertain us in double roles.
Long before Alpha, Bollywood had been retelling the Ramayana in modern settings, sometimes subtly and sometimes not so subtly.
As Cocktail 2 approaches, we take a look at Director Homi Adajania's slim but fascinating filmography.
A riveting mother-son drama with a superb first half, Balan: The Boy loses some of its grip after an ambitious but uneven turn, notes Sreeju Sudhakaran.
As the CLP meeting passed a resolution authorising the party's high command to decide the next CM, observers will file a report to the Congress national leadership, who will take the final call.
The Furious's jaw-dropping action scenes are so ferocious and inventive that they leave you gasping for breath, commends Sreeju Sudhakaran.
As Akshay Kumar, Suniel Shetty, and Paresh Rawal reunite for Welcome To The Jungle, here's a nostalgic ranking of every film that brought Bollywood's most beloved comic trio together.
Former CPI(M) leader G Sudhakaran predicts the LDF will not secure a third term in Kerala, citing political failures within the Left party's leadership. He also highlights the Congress and UDF's potential for victory.
The Congress-led UDF is closely monitoring CPI(M) leader G Sudhakaran's decision to contest as an independent candidate in the upcoming Assembly election. UDF leaders are considering supporting Sudhakaran, while the CPI(M) expresses disappointment and denies mistreatment.
Haunted 3D: Echoes Of The Past has no real scares, no real acting, no real sets, no real drama, no real crows and no real 3D effects, sighs Sreeju Sudhakaran.
As Aamir Khan Productions celebrates 25 years, we rank the 10 best films produced by its star, from the iconic Lagaan to the recent critically-acclaimed Laapataa Ladies.
The Indian Union Muslim League (IUML), a key ally of the Congress in Kerala, has criticised the public discussions and arguments regarding who should be the chief ministerial candidate of the United Democratic Front (UDF). IUML leader P M A Salam stated that such debates could lead to discontent among party workers and the general public.
Imtiaz Ali's new film Main Vaapas Aaunga is set to delve into the enduring trauma of the 1947 Partition, continuing Bollywood's complex cinematic journey of depicting one of history's most violent and impactful events.
Main Vaapas Aaunga transcends its flaws to deliver a profoundly moving plea for humanity, anchored by heartbreakingly brilliant performances, observes Sreeju Sudhakaran.
Steven Spielberg's latest sci-fi offering Disclosure Day attempts to blend political thriller elements with an alien narrative, but despite strong performances and moments of suspense, it ultimately leaves viewers with too many unanswered questions and a somewhat unearned climax laments Sreeju Sudhakaran.
Senior Congress leader Ramesh Chennithala criticises the CPI(M)'s treatment of former leader G Sudhakaran and discusses the UDF's support for him as an independent candidate.
Legendary filmmaker Bharathiraja has passed away at 84, leaving an indelible mark on Tamil cinema with masterpieces like 16 Vayathinile, Oru Kaidhiyin Diary and Karuththamma, among others.
From Baahubali to Peddi, these blockbuster South Indian films drew criticism for romanticising toxic masculinity and reducing their female leads to objects of desire.
From psychological mind-benders to folklore nightmares and zombie comedies, these 10 Hindi horror films prove Bollywood has produced far more than just things that go bump in the night.
From October to Saiyaara, these Hindi love stories proved that romance still has the power to break hearts, move audiences and create box office magic in the age of violent cinema.
Ahead of his new film Main Vaapas Aaunga, we rank all of Imtiaz Ali's romantic dramas from his under-rated debut in Socha Na Tha to his passion project, Amar Singh Chamkila.
Peddi buries its powerful story about caste identity and social inequality beneath hero worship, regressive romance and exhausting excesses bemoans Sreeju Sudhakaran.
Hai Jawani Toh Ishq Hona Hai faithfully recreates the chaos, clichs and comic sensibilities of a vintage David Dhawan entertainer, for better and often for worse, notes Sreeju Sudhakaran.
Tuner may feel familiar, but its fab sound design, slickly edited heists and strong performances make it feel refreshingly sharp.
If you enjoy dark comedies, have even a passing understanding of the film industry, or simply recognise the absurdities of the world around you, then Mollywood Times emerges as one of the sharpest and most compelling love-hate letters written to Malayalam cinema, applauds Sreeju Sudhakaran.
These modern Hindi films proved that the love triangle still has enough heartbreak, passion and chaos left to captivate audiences.
From Manavalan to Kannan Srank, a tribute to the unforgettable Salim Kumar who made generations of Malayalis laugh with his signature humour.
Blast mixes engaging family drama with massy martial arts mayhem to deliver a thoroughly entertaining action ride.
