It is visually grand and meditative in nature.
The film could be popular with the vacation crowd but there's hardly anything here for the thinking viewer.
The film feels half-baked and could have been more much more.
Naughty Professor, acted and written by Baburaj and directed by Harinarayanan is a crude comedy.
No.66 Madhura Bus turns out to be a disappointment considering that it had promising actors and a director with a good reputation and track record.
Paresh C Palicha feels that director Anwar Rasheed serves us a delicious meal with Ustad Hotel
Paresh C Palicha feels that stories like Namukku Parkkan are done to death.
The film has some strong perfromances from Indrajith and the supporting cast.
On the whole, this film has a very average feel.
Directed by the veteran Rajasenan, Innanu Aa Kalayanam features a bunch of youngsters, but signals the lowest point in his career.
Directed by Ranjith, Spirit deals with alcoholism. It is recommended for Mohanlal's acting.
Jaysurya in the lead as a teacher who is reformed by the school doesn't make the grade for a good film.
The film tretches the concept of reality teleivision to unreal realm.
Veendum Kannur with Anoop Menon in the lead is billed as a political thriller, but it is a boring effort that does not excite or move us
Director Arun Kumar Aravind uses multiple narrative streams to showcase his film.
Santosh Sivan's directorial film is visually enticing.
The film tries to be different but ends up as the usual action film in the 'cinema within cinema' format.
The film give us a charming view of the adult world seen through the eyes of a child.
Directed by K K Rajeev, the film is medicore but well packaged.
There are images throughout the film that portray the transformation a character goes through very well without being preachy or pedantic.
The film is not as good as drector P T Kunhi Mohammed's previous works.
The film is an informal sequel to Udayananu Tharam and is very disappointing.
The film jolts you and keeps you riveted to the screen.
The film's premise does not inspire confidence and even the humour does not have the requisite fizz.
The film fails to connect with the audience.
The film tells the story of a man dreaming beyond his reach. But it's way too preachy.
The directorial debut of Siddharath Bharathan is a remake of his father Bharathan's film of the same name made three decade ago
The film talks about the trauma of a rape victim and the pain her loved ones suffer due to this.
The movie tries to weave a story around the underbelly of Bangkok but ends up falling flat on its face.
The film talks about small men dreaming big but doesn't fails to pull off the story.
Lines get crossed in this Malayalam movie.
The film is a typical multi-starrer that is made with an eye at the box office with not much depth in the subject.
The narrative has a humorous streak throughout.
Lenin Rajendran's Makara Manju is watchable but you have to brush up your knowledge of mythology and history to fully appreciate it.
The film has outdated theme of the abuse of the internet and the disadvantages of an urban lifestyle.
Dileep, Kavya Madhavan and Manoj K. Jayan in the lead, try to fit in too much, leaving viewers confused.
