'God gave me a second chance to live and I had to make the most of it.'
Several Bollywood stars and their children celebrated Father's Day by sharing pictures of their dads and posting heartwarming messages.
There's no head or tails to anything that happens in Saaho, says Sukanya Verma.
'I want to something drastically different, where people will get the shock of their lives. But that has not happened yet.'
Bala creates a world so mad yet meticulous and unlike no other in Mard Ko Dard Nahi Hota, raves Sukanya Verma.
Much as you try to like this film, you end up feeling sad as the Ungli turns limp, says Prasanna D Zore.
Sanjay Dutt talks about Salman, films and much more!
The top posts on social media from your favourite Bollywood celebrities.
Green kurta, green leggings, green waistcoat, green band holding her bun in place and - gasp! - were those green chillies dangling from Rakhi Sawant's ears?
'When we make these action machismo films, the stupidest thing is to show that the hero sails through a thousand people. It's a tradition we have grown up with.' 'We don't have the basis of creating a Bruce Lee or a Jackie Chan.'
'India is called the largest democracy in the world, and one cannot believe that there are two Constitutions, two penal codes and two sets of laws.'
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Ajith's magnetic screen presence is enhanced by his popular salt and pepper look.
Other composers tried their luck with Paisa Yeh Paisa, but Director Indra Kumar wasn't happy with the outcome. '"Induji asked us to try and we are glad we did because the song has turned out too good!"'
A look at films that were shot in Sri Lanka.
'David Dhawan did not stand by me during my bad phase. When a person thinks that you are not competent enough to do his film or work with him, one should not ask for work from that person.' Govinda vents out against the director.
'I have started getting a lot of messages from people, directors, photographers...and I realised the importance of being visible.'
Singham Returns offers quite a bit to whistle about with its steady supply of straightforward action and a hot-headed hero who delivers a punch with a fist and a line, writes Sukanya Verma
'I have gone through my share of depression, drug addiction and professional failure but it has made me stronger.'
Milan Luthria's Once Upon A Time In Mumbai Dobaara is a complete drag, unintentionally comical and painfully verbose unlike the prequel which hit quite a few right notes, notes Sukanya Verma
Salman Khan does his thing like only he can in Jai Ho. And the crowd responds. Raja Sen shows us, in his review.
Raju Hirani on making Sanju.
What could have been a relevant crowd-pleaser with a little effort from Sohail Khan and his writers is mostly a tedious and overcrowded drivel that shamelessly depends on Salman Khan's strapping charisma to tide them over, writes Sukanya Verma.
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Paloma Sharma feels Rajjo is a very confusing film.
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
'The way the daredevil feats are set up, they don't have the maniacal feeling of actual gun battles, or good jazz, or a whacked-out dance performance -- they just don't provide you that giddy tingle you go looking for in such films,' feels Sreehari Nair.
'When I was younger, 15 years or 20 years seemed like a really long time. But, as you journey though life, you don't realise where the years disappear...'
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
Is Being Human, the actor's apparel brand, an extension of his persona or is it a move to correct his bad-boy image?
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