Diu, along India's west coast, is one of the most beautiful and serene places in the country says a Rediff reader
Before finding their 'happily-ever-after', some Kapoors have endured and inflicted heartbreak.
The sexism may well be lost out on mothers who call their daughters 'ghar ka beta' but there is something heartening in seeing middle class mothers encouraging them to pursue non-traditional careers. Sonil Dedhia/Rediff.com meets a few 'model' mums.
Syed Firdaus Ashraf/Rediff.com examines how Salman Khan went from a reviled, spoilt Bollywood brat to being a well-loved superstar.
Masaba Gupta gets ready for the next phase in her life: her wedding.
Kangana Ranaut is gobstoppingly spectacular. The actress has always flirted with the unfamiliar but here -- at her most real, at her most gorgeously guileless -- she absolutely shines and the film stands back and lets her rule.
'The working standards on television in our country are really bad. The sad part is that many actors take this deal because it gets them money and recognition.' Telly heartthrob Barun Sobti tells us why he quit TV.
'Films will come and go, some will do really well and some will be okay, you have to learn from that and move on. But rest assured, you know one thing: they (audiences) love you, and that's the most important thing. And you love them back, probably twice as much.' Jimmy Sheirgill gets candid.
Ranveer Singh is glad that trade pundits are talking about him being the most bankable star.
In our special series revisiting great Hindi film classics, Sukanya Verma looks back at Rishi Kapoor-Sridevi-Vinod Khanna starrer Chandni.
Madhu Kinnar, newly-elected mayor of Raigarh in Chhattisgarh, speaks to Vaihayasi Pande Daniel/Rediff.com.
Despite four screenplay writers and Salman Khan's best efforts, Kick fails to impress, says Sukanya Verma.
Yami: You didn't know about this talent of mine of hiding food in my clothes? In the song Mujhko Barsaat Bana Lo, I hid a bread pakoda in my black sari. Pulkit: We had a shot, where my head was in her lap. Suddenly, just before the director said 'Action', the bread pakoda fell in my face! Yami Gautam and Pulkit Samrat, in a FUN conversation.
'At the end of the day, stars are actors.' 'They love performing. And the more challenges I feel that you end up giving stars on the sets, the happier they are.'
Hasee Toh Phasee takes a familiar premise -- two people on the brink of tying the knot and introduces a third party to cause expected stir. Only it doesn't happen like it used to, writes Sukanya Verma.
Entertainment has become a huge aspect of weddings.
Ankit Kawatra's Feeding India has already fed more than 1 million people.
Milap Zaveri talks about Mastizaade, Sunny Leone and much more!
Saurabh Shukla, one of our finest character actors, on his life and movie career.
Eleven years on, while 80% of scam-hit investors have been fully compensated, more than 50% of the sum is yet to be distributed.
Filmmaker Muzaffar Ali looks back at his movies.
How a mother's search for a suitable boy gained global coverage.
Ganesh Chaturthi no longer has the power that Lokmanya Tilak had seen in it way back in 1893 -- the power of bringing people together. This, say 83-year-old Vinaysheela Govilkar and 19-year-old Arnav Thakker, is the festival's biggest tragedy.
Deven Verma passed away into the ages on December 2. We re-publish an interview done with the veteran actor.
'Manto is the only writer to grasp what the project of Pakistan would eventually mean,' says Aakar Patel, who has translated a collection of Saadat Hasan Manto's essays in a just-released book Why I Write.
The year 2014 has been an eventful one for India. The country got a new government and a new state, broke new frontiers in various fields and of course its share of controversies.
Salman Khan, star of this year's Eid release Bajrangi Bhaijaan, talks about his journey from supporting actor to superstar.
Over Dosas in Mumbai, Oscar winner Megan Mylan tells Vaihayasi Pande Daniel why she chose India and girls empowerment as the subject of her new documentary.
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