The remake rights have been bought by Rockline Venkatesh and the film is expected to go on floors by August.
Unpaused: Naya Safar holds on to a light-at-the-end-of-a-tunnel thought and looks at the pandemic-afflicted people from all walks of life through the prism of optimism in five poignant stories, notes Sukanya Verma.
He is producing Swapna Waghmare Joshi's film Laal Ishq.
'I think Baaghi 3 is the biggest action film that we have witnessed in recent times.'
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
A look at the red carpet arrivals.
'I am waiting for my result now. I am not scared,' Rinku Rajguru tells Justin Rao.
Newcomers Rinku Rajguru and Akash Thosar reveal how their life has changed post Sairat!
As we eagerly wait to see what 'farq' it makes when it hits the screens on June 28, Sukanya Verma looks at the few occasions caste came up in Hindi movies.
'As a remake of Sairat, Dhadak is a travesty.' 'As a standalone, Dhadak is standard Bollywood boy-meets-girl drivel.' As a showcase, Dhadak is a promise that will take some more effort to fully fulfil,' says Sukanya Verma.
'Khaitan's film will continue to invite comparisons with Manjule's, but the fact that it is out there for viewers to see is perhaps a greater tribute to the original than is conveyed by the cautious desire to remake it,' says Vikram Johri.
The Silence's message is so overpowering, so overwhelming that a stellar cast, with all its charisma, aura and star power, pales in comparison to the subject at hand.
As much as Rs 4,300 crore was generated by 2019 movie releases. But 2020 is all set to be bigger and better!
'...and a bagful of ill-mannered, threatening, creditors.'
'The biggest tip my mother gave me was to work hard and be true to yourself.' Janhvi Kapoor gets ready for her big launch Dhadak with Ishaan Khatter by her side.
As the MAMI film festival kicks off, Aseem Chhabra picks the must watch Indian movies.
Sreehari Nair presents his Top 20 movies of the decade.
Aseem Chhabra looks at the year's best Non-Hindi Indian movies.
'You don't need a godfather to protect you from dangers of Bollywood because nobody will.'
Sreehari Nair is *not* impressed by this lot of films at all.
Gajendra Chauhan is just one the many troubles that ail the national film institute. But all may not be lost yet.
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
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