'Everyone wants me to do Naatu Naatu again.'
As M M Keeravani celebrates his birthday on July 4, Subhash K Jha lists his best Hindi songs, all of which are better than his Oscar-winning song, Naatu Naatu.
This is also the time when South Indian films started doing well, commercially and critically, on a Pan-India scale.
The broader theme of the performance will be -- 'Swatantra Ka Mantra - Vande Mataram' and 'Samriddhi Ka Mantra - Viksit Bharat', officials said.
Prabhas never looked more heroic and magnetic than he did in the dual role of Amarendra and Mahendra Baahubali, applauds Mayur Sanap after watching the nearly four hour-long Baahubali: The Epic.
There's a reason why Anupam Kher directed Tanvi The Great.
Among the many desi faces at the festival is Kumar Sanu's daughter, singer Shannon Kumar Sanu, who attended the Mission: Impossible: The Final Reckoning premiere.
Anupam Kher's directorial Tanvi The Great is all set for its grand premiere at the Cannes Film Festival, and the team is already turning heads.
The film lurches from one melodramatic situation to another, for nearly 160 minutes, before culminating in an ending that embodies Director Anupam Kher's personal philosophy: Kuch bhi ho sakta hain, notes Mayur Sanap.
'If we see that romance only belongs to the young or to a particular age group, then the whole definition changes.'
It's been nine years since magnum opus Baahubali: The Beginning hit the screen, and Tamannaah Bhatia goes down memory lane.
'My music is my life. I can never be dishonest with my compositions.'
Ramoji Rao's rise to become the founder of Eenadu, the largest circulated Telugu daily, and a tycoon, from humble beginnings is legendary.
Modern Masters aims to showcase Rajamouli's enigmatic career and paints a context of what makes him the singular voice that defined his generation of film-makers, for millions, observes Arjun Menon.
Allu Arjun is the first Telugu actor to receive a National Award for Best Actor.
Amazon Prime Video has announced a huge number of assorted Web series and movies, and the slate sure looks interesting.
'This is a historic moment for India.'
RRR threw a lifeline, or so it seemed -- to a world that was down in the dumps. Keeravani and his Naatu Naatu just happened to be in the right place at the right time, notes Saibal Chatterjee.
'I feel I am in a dream that I don't want to wake up from.'
'I don't think @RRRMovie is a gay love story as you say, but even if it was, is 'gay love story' a bad thing? How can you justify using this? Extremely disappointed that someone of your accomplishments can stoop so low!'
'Keeravaaniji doesn't work in isolation.' 'He responds to stories, situations and the emotional core of a film.' 'That's why his tunes are so different.' 'Unchiseled emotional masterpieces.'
The film is not just a devotional to be seen by an older audience. Anyone can see it for the relevance of the simple teachings of the Sai baba.
K Raghavendra churns out a film which is typically in his format -- a cliched story, numerous songs-dances and filled with too much colour.
Directed by Chandra Siddhartha, the film will mark the debut of Thai actress Pinky Savika
Pandurangadu, directed by K. Raghavendra Rao has good performances by Balakrishna, Tabu, Sneha, K.Vishwanath, melodious music by Keeravani, some good locales shot well by Jayaram. All in all a refreshing alternative to the current crop of movies.
This Telugu-Tamil film (which is likely to be dubbed in Hindi and other languages) stars Prabhas, Rana Daggubati and Anushka Shetty.
Modern Love Hyderabad, even though predictable, is interesting in parts and keeps you entertained emotionally, observes Divya Nair.
Nagarjuna hosts a star-studded reception for his son and daughter-in-law.
Director Prakash Kovelamudi's Inji Iduppazhagi deals with the concept of size zero superficially and you feel no emotional connect, writes S Saraswathi.
Beneath its dazzling veneer, this emperor has no clothes, says J Jagannath.
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