How many people knew her Nani was from Kottayam?
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
'I went to Nagpur for my engineering. I used to model there, those amateur fashion shows. Then you know, I thought why not try my luck in films and all?'
There have been a lot of instances, when film titles have been picked from hit songs.
'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.
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Badrinath's dulhania is giving us major fashion goals!
And it's written with tears, blood and unspoken lines.
'If questioning and dethroning hierarchies is your primary motive, why not put an end to the practice of announcing your shining star, your box office draw, in big flaming letters and mentioning everyone else's name in small font at the bottom of the screen?' asks Sreehari Nair.
The film is a remake of 2012 hit Malayalam film 22 Female Kottayam.
Even those who feel like defending this film because it is made for the mass audience will be disappointed.
'This attitude to laugh it off I think he will face a severe backlash.' 'I can see through everything he is trying to do.'
'I had to jump from the ninth floor, breaking through the glass. The timing went wrong and instead of landing on my feet, I landed on my head. People thought I was dead, but I stood up.'
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If Pahlaj Nihalani glanced back at his own filmography as producer, by his own brand new standards; the man would have a hard time approving the extent of vulgarity and provocation they contained.
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Prakash Raj's Un Samayal Arayil is a thoroughly enjoyable light romantic comedy set in the backdrop of an intense passion and love for food and cooking.
'How long do you dumb down, how long do you stay silent,' the actor asks at TEDx.
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Anurag Kashyap's lovers have no enemies to shoot, says Sreehari Nair, and so they take aim at each other.
A lesson for Jeetendra from Raaj Kumar, Shashi Kapoor delivering gas and Susan Sarandon-Jessica Lange's caustic retelling of the infamous Bette Davis-Joan Crawford feud, Sukanya Verma's super-filmi week turned out to quite a blast from the past.
'We have never had a policy regarding Pakistani artistes working in India.' 'We welcome them with open arms and that remains the official policy of the Indian government, including the current dispensation.'
'Because of the impact the movement has had, people will think twice before misbehaving because you don't know who will turn out to be another Tanushree Dutta.'
'There has never been a problem between Hindu and Muslims in Kairana.' 'We are a people that smoke from the same hookah.' Once the seat of an influential tradition of Indian classical music, Kairana has become a metaphor for the exodus of Hindus.
'The Ek Do Teen song was shot for many days.' 'Listening to it so many times during the shoot, we knew it would be a big hit.' 'When Tezaab was released, Madhuri had gone to the US for a holiday.' 'When she returned to Mumbai, there was a large crowd waiting for her at the airport, calling out 'Mohini, Mohini,' her character from Tezaab.' 'That day Madhuri had arrived in the real sense.'
'Hrishi-da often voiced his disenchantment with Bachchan's Angry Young Man persona -- the 'maara-maari', the growth of sidelocks; he even said directors were killing Amitabh the actor and turning him into a stuntman. Yet, as Jaya Bhaduri jovially pointed out, the seeds of that seething persona can be found in Anand and Namak Haraam.'