Sathyan Anthikad sticks to formula in Jomonte Suvisheshangal.
The premise of the film may be very old but the sincere effort of the entire cast makes it watchable, writes Paresh C Palicha.
Paresh C Palicha recommends Anuraga Karikkinvellam.
'Seeing the characters you had conceived come alive, saying the lines you had written for them... or the actor giving it a totally different meaning from what you had originally thought... is unbelievable!' Sreebala K Menon tells Paresh C Palicha.
Saptamasree Taskaraha is an enjoyable comic thriller, says Paresh C Palicha.
Serving a bitter pill dipped in sweetener may look good on paper but in Salt Mango Tree, the taste is disproportional, writes Paresh C Palicha.
Welcome to Central Jail is a typical Dileep film, which may go down well with his fans, feels Paresh C Palicha.
Oppam is a must watch, raves Paresh C Palicha.
Balachandra Menon has lost his touch with Njan Samvidhanam Cheyyum, writes Paresh C Palicha.
Malayalam film Mariyam Mukku has a wafer-thin plot, says Paresh C Palicha.
It feels as if Adoor Gopalakrishnan has targeted Pinneyum to be a commercial success, feels Paresh C Palicha.
Love 24x7 is a promising debut by Sreebala K Menon.
There are elaborate court scenes in Paavada that test our patience for two and a half hours, writes Paresh C Palicha.
The social comment in Sanalkumar Sasidharan's Ozhivudivasathe Kali could well make it a success at the box office, feels Paresh C Palicha.
You will enjoy 2 Countries only if you're a Dileep fan, says Paresh C Palicha.
The film truly sticks to it's title.
The film fails to live up to Shobhana's standards.
Kochavva Paulo Ayyappa Coelho is truly a feel-good venture that will leave a smile on your face for a long time, feels Paresh C Palicha.
Kanal turns out to be an average effort even though Mohanlal does his best to salvage it, says Paresh C Palicha.
On the whole, the film turns out to be a heartless adventure.
Mammootty's fans will be happy with his performance, beginning with comedy, then moving to superhero action and culminating in emotionally intense scenes. But good acting is not enough to make up for a vapid plot and content.
Kohinoor lacks the sparkle, feels Paresh C Palicha.
Haram loses its steam quite early, says Paresh C Palicha.
Fireman's aim seems to be glorifying the image of superstar Mammootty, writes Paresh C Palicha.
The screenplay moves back and forth in a confusing manner, unnecessarily lengthening the run time of the film, says Paresh Palicha.
Jamna Pyari remains a mediocre effort that cannot fulfill viewer expectations in this festive season., says Paresh C Palicha.
The story of an underdog, Kattappanayile Rithwik Roshan is quite decent, feels Paresh C Palicha.
Rasputin is long-delayed, and not meant for today's times, says Paresh C Palicha.
Biju Menon feels bogged down by expectations that his latest film carried, feels Paresh C Palicha.
There is nothing new in the film and it is the effort the actors put in that helps the film from sinking totally.
Paresh C Palicha wonders why Malgudi Days has so many subplots when the main idea itself was good enough for a film.
Not much imagination has gone into developing the plot of Adi Kapyare Koottamani!
Kumbasaaram is an over the top which has nothing new to offer.
Nayana has some interesting performances but it is only in the second half that we come to the real story.
Rajamma @ Yahoo leaves the viewer confused, writes Paresh C Palicha.
The storyline sounds simple and thin but the way it is presented makes Ithihasa worth watching.
Nee-Na is another brilliant effort by director Lal Jose.
The comedy fails to work for the most part.
Fahaad Fasil tries too hard to prove a point with his acting.
