The director successfully maintains a fine balance among the three leading men in Amar Akbar Anthony, says Paresh C Palicha.
From the blood and tears that flowed in the first half, the narrative takes a 'U' turn and becomes a comic caper post interval, giving us a feeling that we watched two different films that were merged together midway, feels Paresh C Palicha.
Peruchazhi is not up to the mark especially since it underutilises an actor of Mohanlal's caliber.
The message from You Too Brutus is that human relationships are fragile but the way it is conveyed leaves us with a bad taste in the mouth.
100 Days of Love leaves a lot to be desired as a serious love story.
Hi I'm Tony tries to experiment, but it's just another thriller that depends on its actors, blood and gore.
Siblings Vineeth and Dhyan seem to be making a statement on their father Sreenivasan's work in Malayalam cinema, notes Paresh C Palicha.
Mohanlal's Loham is not original at all, warns Paresh C Palicha.
North 24 Kaatham is a sure winner for Fahadh Faasil.
Picket 43 is the best film in Major Ravi's oeuvre and deserves to be seen despite its shortcomings.
Director Shyamaprasad's Artist is one of his best works till date.
Prithviraj does his best to look sincere and real in Memories which is otherwise an average story.
Cousins is not an auspicious beginning to the festive season, says Paresh C Palicha.
Masala Republic is one of the tackiest films made in recent times.
Even those who feel like defending this film because it is made for the mass audience will be disappointed.
Angels has a disappointing story and shoddy film-making, says Paresh C Palicha.
Lal Bahadur Shastri is a New Gen venture that offers you just few chuckles and laughs here and there.
There is excitement every time Nivin Pauly is on screen, says Paresh C Palicha.
Varsham carries the stamp of Ranjith Sankar which is enhanced by Mammootty's presence.
King Liar's story is wafer thin and the effort to hold the viewer's interest does not work beyond a point, feels Paresh C Palicha.
Kali has the potential of becoming a rage with the viewers, feels Paresh C Palicha.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
Lord Livingstone 7000 Kandi is a tiring watch, warns Paresh C Palicha.
The film is watchable for its earnest performances.
'Oraalppokkam is open to interpretation and therein lies its appeal.'
Drishyam director Jeethu Joseph gives Dileep one of the best characters of his career, says Paresh C Palicha.
Ennum Eppozhum is typical Sathyan Anthikkad fare that falls short of expectations.
Bhaiyya Bhaiyya does provide a few chuckles, but nothing substantial.
This film is Mommootty's version of Drishyam, feels Paresh C Palicha.
The star cast is in top form with every character etched perfectly.
The film has a problem with pacing and lags a few times but the director uses these moments to add meat to the characters.
Monsoon Mangoes is pretentious and looks tacky as most of frames are jaded, warns Paresh C Palicha.
Anoop Menon and Joy Mathew along with Dulquar Salman and Namitha have given a decent performance in the film.
Manglish is a typical star vehicle that does not deserve a critical dissection.
Initially we sit tight in our seats expecting something very gripping to happen but, nothing of that sort happens.
Here's what Paresh C Palicha has to say about the Malayalam movie Charlie.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
Ezhamathe Varavu may not be the best from the legendary team, but it is still worth a watch.
Sringaravelan plot's wanders on aimlessly with no logic. You just have to go with the flow of the comedy, which gets quite boring towards the end.
God's Own Country is over-written -- characters explain everything in words when a mere change of expression would do.