Payyans does not present anything extraordinary or radical and ends up being an average film.
Director Jayaraj swings between telling a touching tale and pushing a typical star vehicle.
Oridathuoru Postmam, directed by Shaji Azeez with Kunchako Boban in the lead and Innocent in the title role, is yet another film on the father-son relationship. Wish it had kept things simple.
Khadama realistically shows the sufferings of lower class labourers in the Gulf.
There's nothing new about this Malayalam movie except Jayaram's look.
The Malayalam movie fails to live up to its promising premise.
Seniors may turn out to be a commercial success as its humour tickles the baser instinct of the audience.
Director Ranjith gives his best in Pranchiyettan and the Saint.
Director Lal's film is a huge disappointment.
Though this Malayalam film tends to be melodramatic at times, it is credible in the final analysis.
There's hardly anything to complain about this Malayalam film.
First time director, Martin Prakatt gives us a heart warming film that feels real even when it has a fable like premise.
Urumi scriptwriter Shankar Ramakrishnan shares his experience of being a part of the historical adventure.
The Malayalam movie takes on the scourge of alcoholism but fails to make any impact.
Kanyakumari Express has Suresh Gopi playing a cop again, but the Suresh Babu-directed film fails to deliver.
The basic thread of the Malayalam film is taken from the Hollywood film The Bucket List starring Jack Nicholson and Morgan Freeman. But the comparison ends there.
Cocktail, inspired by Pierce Brosnan starrer Butterfly on a Wheel, stars Jayasurya, Anoop Menon and Samvrutha Sunil and is a decently made thriller by debutant director Arun Kumar.
This heavily inspired film is full of cliches and boring performances.
Chekavar, written and directed by newcomer Sajeevan is an effort to project Indrajith as a typical action hero. Watch it only if you hero worship Indrajith.
Kutty Naduvil's Malayalam film is a kind of a film that would make you squirm in your seat.
Though the Malayalam film cannot be termed as Lal Jose's best work, yet it carries his stamp nonetheless.
Yakshiyum Njanum, director Vinayan's rebellion against mainstream is substandard fare to say the least. The newcomers Gautham and Meghana deserved better.
On the whole, The Film Star may have noble intentions but ends up being loud and coarse.
Prithviraj shines. Other than that, there's nothing much to write home about.
The supposedly suspense thriller is anything but entertaining.
Jounalist turned scriptwriter Joshua Newtonn talks about writing for the Malayalam film.
It is the charm and the freshness of the young cast that makes Aanandam work, says Paresh C Palicha.
There's something missing in Shajahanum Pareekkuttiyum, feels Paresh C Palicha.
Malayalam film Nellikka lacks bite, feels Paresh C Palicha.
The story of Aadu Oru Bheekara Jeeviyanu oscillates between political satire and slapstick, says Paresh C Palicha.
Ennu Ninte Moideen is a worthwhile effort.
Karinkunnam 6s may lack the depth to be a great film but it's worth a watch, says Paresh C Palicha.
The director works as if he has a magic wand that makes this theme -- which is not exactly fresh -- engaging, raves Paresh C Palicha.
Acha Din is quite a disappointment as it lacks depth, even though it deals with a serious subject.
Vettah is not as satisfying as promised, feels Paresh C Palicha.
The humour in Rockstar waters down the impact of some of the serious issues being raised, writes Paresh C Palicha.
Rima Kallingal and Manju Warrier give powerhouse performances in Rani Padmini, raves Paresh C Palicha.
Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha.
Even super star Mohanlal can't salvage the disaster that is Malayalam film Rasam, says Paresh C Palicha.
