'You think of Sulu as someone who is sexy, sultry and intimate. You don't imagine her as someone clad in a sari.' And yet, Vidya Balan gets ready to seduce you again.
We have let a woman of Italian origin rule us through a clever divide of administrative power centres, but far too many of us have not accepted her Indianness. We have every right to reject her politics and her corrupt government, but shouldn't her living most of her life here make her Indian enough?
The movie evokes a few laughs but otherwise it decides to shift tracks from droll comedy to dreadful drama.
'Salman has changed a lot in the past few years. He was totally different when I shot with him for Jai Ho. He has mellowed down, but I don't like him like this.'
On Hrishikesh Mukherjee's 91st birth anniversary on September 30, we bring back excerpts from a Rediff interview with the brilliant filmmaker, just after the release of his last film, Jhoot Bole Kauwa Kate.
An A-Z of Bachchanalia, the letters expanding into unforgettable bits of his filmography.
Because we mirror his beliefs, says Savera R Someshwar.
'My recent films didn't do well but that's a part of the game. I don't have any complaints. I feel sad and dejected, but you have to get moving,' Sharman Joshi tells Sonil Dedhia.
What if we these popular American television series were made in India?
'I want people to get into the habit of paying money to see Marathi films. Otherwise, how will Marathi cinema earn revenue like Rs 100 crore?' Shreyas Talpade asks Prasanna D Zore/ Rediff.com
'Satyajit Ray was somewhat tolerable; you didn't have to hang your head in shame.' 'Sholay is a series of stereotypes and borrowed ideas... And we are still singing praises of that film.' 'What would I make of two grown men behaving in this manner? It's deeply embarrassing.' If you thought Naseeruddin Shah was too frank with his opinions, he'd have to take a back seat to wife Ratna Pathak Shah, who doesn't waste a second, giving you her strong views on matters movies and personal.
