Netflix has unveiled a line-up of 15 original series as well as returning seasons of popular shows.
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
'When we make these action machismo films, the stupidest thing is to show that the hero sails through a thousand people. It's a tradition we have grown up with.' 'We don't have the basis of creating a Bruce Lee or a Jackie Chan.'
The latest Bollywood updates.
'Mard Ko Dard Nahin Hota is exactly why Hindi cinema needs more film-makers who know a South Indian language,' notes J Jagannath.
The theme of the film festival was to celebrate the 100th anniversary of Indian cinema, with focus on women filmmakers.
Sreehari Nair could not put up with turgid and self-serious ones like Super Deluxe and Gully Boy. His list of favourite Indian movies of 2019 contains just five names.
Sukanya Verma lists her five BEST and WORST Bollywood movies of 2019.
Raman Raghav 2.0 is unlikely to be remembered as one of Anurag Kashyap's finest movies.
Sukanya Verma looks at 2019's winners and washouts so far.
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It is the two women directors in Shuruaat Ka Twist who end up making the best films, feels Sreehari Nair.
'When the trailer of Angrezi Medium came out, and when the credits were rolling in the end, with names like Irrfan Khan, Kareena Kapoor Khan, Deepak Dobriyal, Dimple Kapadia... that's when it hit me and I couldn't control my tears. That was the first time I realised that I was living my dream.'
'Despite its noble attempts, tight editing, terrific sound design, good performances and a compelling story, Hotel Mumbai tells a big lie.'
Anurag Kashyap has a lot of talent, says Aseem Chhabra. He just needs to stop making films that are very similar.
'All mothers are the same. Mine came out of the MAMI screening, crying.' 'Recently, a critic compared me to the best debut since Hrithik sir and she was so overwhelmed with that.' 'Someone said 'You are Bhagyashree's son and the innocence is the same.' 'Even if I can even touch the shadow of that in my entire career, I will be very happy.'
Rukh may be lit like a YouTube Short Film, and may have its share of other technical problems, but there's something disturbingly original about director Atanu Mukherjee's vision, Sreehari Nair feels.
'I kept telling Anurag, "I don't care about anything, I don't want any money. Just get the film made".' 'One day I called Anurag and someone else picked up the phone. He said, "Hello, Sir." I responded, "Hello, but who are you and why are you picking up Anurag's phone?" He said, "I am Ranbir Kapoor Sir". And he told me he was doing the film and he was very excited.'
Sukanya Verma recaps all the action at this year's MAMI.
'Masaan went to Cannes, got a standing ovation, won awards. I want the people of India to watch my film. Finally, it is happening!'
'What you saw in Gangs Of Wasseypur is only two percent of what really happens. Murder and other crimes are a daily affair even today. There is no value for life. People can shoot someone for Rs two! Once, I was talking to a person. I turned around to ask for tea, and when I looked at him again, someone had shot him dead.' Meeruthiya Gangsters director Zeishan Quadri talks tough.
Sobhita Dhulipala makes her debut with Raman Raghav 2.0.
'We had decided that if the audience liked Stree, then after two or three years we would plan a sequel.' 'Because of the kind of reaction we received for the film we have already started work on it.'
'Meryl Streep and Julia Roberts were tables away, seated next to each other, at the SAG awards. I was shamelessly staring,' Nimrat Kaur tells Aseem Chhabra/ Rediff.com
In spite of the glitches and scramble, the Mumbai Film Festival shaped into an enriching experience, feels Sukanya Verma.
'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
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