Mumbai-based designer Nachiket Barve talks about his favourite things.
'It is very easy for me to choose different genres, but a lot of actors are still stuck in the same rut.'
'Why do we feel our parents are not human? That our mother is not a woman?'
Sukanya Verma recaps all the action at this year's MAMI.
Did you like Chennai Express, Goliyon Ki Raasleela: Ram Leela and 3 Idiots?
A look at Akki's history of recycled South Indian fare.
'The best Indian movies today are ones that portray life as "something that doesn't end when the movies do".' 'There's no real arc to traverse or easy lessons to learn. And Irrfan and Nawazuddin -- who can both swerve a movie purely on the strengths of their instincts -- are just the perfect actors for this kind of movie sensibility,' says Sreehari Nair.
Here's a look at the top 10 tweets from your favourite Bollywood celebrities.
What happens if a movie ends differently? Reality checks in, of course.
A look at the top tweets from your favourite Bollywood celebrities.
Fascinating films based on true stories you might want to catch this year.
Looking forward to catch Kill Dill this weekend? Here's a lowdown on its director.
We revisit the actor's many controversies over the years.
'Lots of Indians are not eating healthy.' 'They eat lot of carbs, eat late, and use sugar unnecessarily.'
Instead of taking the moral high ground and resorting to a ban, the government should've turned the screws on dance bars by enforcing the licence conditions, says Anil Singh.
Manoj Bajpayee confides in Rediff.com's Ronjita Kulkarni about his 'long journey filled with rejection, betrayal, misery, failures and disillusionment.'
Here's what caught our eye at the movies this year.
'My acting idol Robert De Niro is also my friend. There are many brilliant actors but it's a huge deal for me to have Robert De Niro in my mail contacts.' Anupam Kher revisits the prominent Kuch Bhi Ho Sakta Hai moments in his life.
Long before Prem Ratan Dhan Payo, Rajshri made some beautiful movies.
Kicking off our Valentine's Day special, filmi style!
'I wasn't sure if I could carry off a bikini well. So I did a photo shoot and showed it Madhur Bhandarkar. He said it looked great. That gave me the confidence to carry it off.' Meet Calendar girl Avani Modi.
Rediff's film critic Sukanya Verma lists her top Hindi movies of 2014.
Yet, for all his belief in the goodness of life, Mani's films show that life is too complicated for goodness to permeate it completely.
Noise levels began to climb and everyone else in the room stared agape as the fracas escalated, including the trio of accused at the back. Peter, Sanjeev and Indrani stood at the edge of their enclosure craning to see the spectacle.
What you need to know about M S Sathyu's classic Garm Hawa.
'The true conceit of Drishyam is that it makes its audience an honorary accomplice in the crimes that its lead characters commit.'
Rediff's film critic Sukanya Verma lists her worst Hindi movies of 2014.
'Madaari is a very strong film for the younger generation. If they understand this film correctly, it would be great fun. It is serious cinema and our youth want to see that too; they don't just want entertainment.' Madaari director Nishikant Kamat discusses his new film.
On International Women's Day, Bollywood's women give us their take on the status of women in the industry, and in India.
'Talvar belongs to Irrfan Khan, who plays the chief investigating officer. With each new film, this very fine actor continues to surprise us and delight us.'
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
Salman Khan does his thing like only he can in Jai Ho. And the crowd responds. Raja Sen shows us, in his review.
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The tinsel town's overall financial performance would have been in a bad shape if it was not for the success of the woman-oriented blockbusters, writes Urvi Malvania.
Ashwiny Iyer Tiwari's Bareilly Ki Barfi had the critics reaching for the stars. But that is just the tip of the iceberg discovers Rediff.com's Savera R Someshwar.
Sukanya Verma revisits Gulzar's Ghalib and finds Barsaat, and Free Love!
'In Vishal Bhardwaj's now fully set world of manufactured poetry, characters wear their emotions at their most prescribed anatomical positions -- courage on their chins, pride over their chests, and innocence in their faces,' observes Sreehari Nair.
Archana Walavalkar is on a mission to 'make India stylish'.
Haider is a remarkable achievement and one of the most powerful political films we've ever made, a bonafide masterpiece that throbs with intensity and purpose.
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