'So my question was, 'What is it that you are proud of? What have you achieved? What is your contribution?' 'He had no answer.'
Actress Chhaya Kadam, best known for her films Fandry and Nude, has joined the India brigade in Cannes!
'It's taken me very long to get my foot into the door. But the kind of work or central roles that I want are still few.'
'We are wondering if this will ever get over, if there will be a light at the end of the tunnel.'
Here's what your favourite Bollywood celebrities are tweeting.
'The stories I want to tell are very important.'
Playing a character put off by the idea of retirement is becoming on Bachchan. Hands in pocket, eyes firmly focused on his mission, conviction inks his speech while his serene, sensitive, portrayal has a calming effect on the kids and Jhund, observes Sukanya Verma.
'I knew Sairat would make an impact because its theme of inter-caste relationship and marriage connects with our entire country. I won't pretend the success was unexpected.' Sairat director Nagraj Manjule basks in the film's success.
A quick look at winners in the major categories.
The 88th Academy awards event will take place in Los Angeles on February 28, 2016.
As the MAMI film festival kicks off, Aseem Chhabra picks the must watch Indian movies.
'Khaitan's film will continue to invite comparisons with Manjule's, but the fact that it is out there for viewers to see is perhaps a greater tribute to the original than is conveyed by the cautious desire to remake it,' says Vikram Johri.
Aseem Chhabra picks the finest Indian films in the 2010-2019 decade.
Doesn't he know that the Indian audience has settled itself with a certain strain of mediocrity that lands up at the cinemas every Friday?
'There are times in your life where you have to pause a little bit.' 'The kids are growing up, and I want to be with them.'
Yes, they're both movie directors. But there's something else!
'Two years since the film released, but everything is still Sairat, Sairat...'
'Maneesh Sharma's Fan should be good. It will have Shah Rukh doing something entirely different from what he has been doing recently.'
Jyoti Punwani examines the relevance of the Sairat, the hit Marathi film everyone is talking about, in today's times.
Nandita Das on why she wants to make Manto so badly.
'A lot of fraud films are being made in the name of realistic cinema.'
Gajendra Chauhan is just one the many troubles that ail the national film institute. But all may not be lost yet.
Sumedha Raikar-Mhatre examines the Marathi film industry, which annually produces around 190 dissimilar films that requires an investment of Rs 400 crores.
Kalki Koechlin talks about her upcoming projects, marriage and much more!
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