Cuttputlli's absolutely absurd climax will have you rolling on the floor in unintended laughter, notes Sukanya Verma.
Upacharapoorvam Gunda Jayan is a good respite from the dark, violent films we have seen in recent times, observes Divya Nair.
Aditya Chopra may be a household name in India, but few have seen his face, recognise his voice or know the brain behind the business outside his tight inner circle. The Romantics makes sure it has its own to brag about when he, finally, appears before the camera, notes Sukanya Verma.
Murder at Teesri Manzil 302 is a painful watch, complains Namrata Thakker.
The second season of Maharani 2 is bigger, better and far more brutal, observes Namrata Thakker.
People are easily convinced to take lives as though it's a game of passing-the-parcel... Crime is not merely romanticised and rationalised, but also rewarded, points out Sukanya Verma. Breathe: Into the Shadows 2 Review
What works for Trial By Fire is Rajshri Deshpande's and Abhay Deol's portrayal of the distraught parents who struggled and toiled for justice for over two decades, observes Utkarsh Mishra.
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
Faadu: A Love Story looks like one of those old movies with a socialist bent that glorified honest poverty and looked down upon ambition and enterprise, notes Deepa Gahlot.
What makes Wonder Women brilliant is the breeziness of the events and issues it tackles without delving on it too much or surrendering to it completely, observes Divya Nair. Wonder Women Review
Promising plot falters in execution, observes Namrata Thakker.
Yatri Kripya Dhyan De is absolutely thrilling, applauds Namrata Thakker.
Madhuri Dixit's brief seems to have been to look glamorous, which she does, while others struggle to hold the film together, observes Deepa Gahlot, Maja Ma Review.
Subtlety has never been a strong suit of Bollywood remakes. They cannot resist adding that extra something or going overboard, sighs Sukanya Verma.
If disbelief can be suspended in the quest for a few laughs, then some of the encounters are genuinely hilarious, and one with a ghost, particularly bizarre, observes Deepa Gahlot.
Nasty surprises and quirky humour make Monica, O My Darling an intriguing, fun, watch, observes Sukanya Verma. Monica, O My Darling Review.
Black Panther: Wakanda Forever makes you mourn the legend that was Chadwick Boseman, but also assures that forward is the only way to go, observes Mayur Sanap. Black Panther: Wakanda Forever
Sherdil: The Pilibhit Saga is a boring, overlongm tale of an eccentric with delusions of leadership, sighs Deepa Gahlot.
The new season of The Crown is a bit of a dreary watch, observes Deepa Gehlot.
The plot keeps getting weirder by the minute, and scenes leapfrog round with no control... The end result is bafflement and boredom, observes Deepa Gahlot.
Shilpa Shetty fills a uniform with grace and could, in an equal opportunity film industry, be cast with an actor half her age, and carry it off better than aging males prancing with women young enough to be their daughters, observes Deepa Gahlot.
Kapil Sharma: I'm Not Done Yet is truly outstanding, applauds Syed Firdaus Ashraf.
With ample whistle podu moments, Vikram is a macho blockbuster that shouldn't be missed, applauds Divya Nair.
If the television remote clicks on Stories On The Next Page, it's perhaps worth a look. But it does not merit active seeking in the hunt for watchable content, observes Deepa Gahlot.
As good as Mammootty is playing Sundaram, we see this facet of his performance through two lenses: That of Sundaram being an offset to whatever we know about James, and that of Mammootty doing quintessentially Tamil tics, including enacting scenes from old Tamil movies like solo plays, observes Rohit Sathish Nair.
Mili establishes Janhvi Kapoor as an actor striving to be taken seriously, observes Sukanya Verma.
Heart-warming stories and stellar performances make Gullak 3 a must watch, applauds Namrata Thakker.
Doctor G blends mirth and meaning, observes Sukanya Verma. Doctor G Review.
Kangana Ranaut ticks off all the boxes of the poker-faced spy model in Dhakaad, observes Sukanya Verma, but the the movie needs real rescuing.
Criminal Justice 3: Adhura Sach is watchable for Pankaj Tripathi's brilliant portrayal of Madhav Mishra, observes Divya Nair.
John Abraham is impressive in Attack. Sadly, the story is not, notes Namrata Thakker.
Harry & Meghan, Vaihayasi Pande Daniel realises, is just a sequel to Diana's Story.
Sanjay Mishra is the saving grace of Subhash Ghai's forgettable comedy-thriller, 36 Farmhouse, observes Namrata Thakker.
Doctor Strange in the Multiverse of Madness is a roller-coaster ride to be enjoyed on a summer afternoon, recommends Namrata Thakker.
Watch this dream come true for Mani Ratnam and cinema on the largest screen possible, insists Sukanya Verma. Ponniyin Selvan: 1 Review
Marilyn Monroe is always seen as a cautionary tale of how the pressures of celebrity could destroy a fragile mind, observes Deepa Gahlot.
There's merit in the premise of 420 IPC but Manish Gupta's flat execution never delivers its promise, feels Sukanya Verma.
'You become a critic because the job entails watching a 100 films a year, out of which there will be five or six good films.' 'It's really a glutton for punishment, but you're also optimistic and want to see exciting things.'
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