Doctor Strange in the Multiverse of Madness is a roller-coaster ride to be enjoyed on a summer afternoon, recommends Namrata Thakker.
There's merit in the premise of 420 IPC but Manish Gupta's flat execution never delivers its promise, feels Sukanya Verma.
Watch this dream come true for Mani Ratnam and cinema on the largest screen possible, insists Sukanya Verma. Ponniyin Selvan: 1 Review
Marilyn Monroe is always seen as a cautionary tale of how the pressures of celebrity could destroy a fragile mind, observes Deepa Gahlot.
'You become a critic because the job entails watching a 100 films a year, out of which there will be five or six good films.' 'It's really a glutton for punishment, but you're also optimistic and want to see exciting things.'
For those who enjoy stand up comedy, Comicstaan 3 makes amusing viewing, enough to lift the monsoon gloom, applauds Deepa Gahlot.
HIT: The First Case hits the jackpot with Rajkummar Rao. Nothing escapes his discerning eye. Nothing comes in our way of admiring it, raves Sukanya Verma.
Avatar: The Way of Water feels like a poorly chosen present -- the wrapping is beautiful, but the gift inside is a disappointment, observes Mayur Sanap.
Malayankunju is a coming-of-age survival drama that has its heart in the right place, notes Divya Nair.
Death On The Nile doesn't have a tense narrative that would have made it an edge-of-the-seat affair, observes Joginder Tuteja.
Emraan Hashmi's latest outing is NOT worth watching, complains Namrata Thakker.
Sita Ramam is a subtle reminder that, in a world where you can be anything, the best thing you can be is kind
The power of the series is that it is rooted in reality, feels Deepa Gahlot.
A movie that seeks to explore an 'alternate history' cannot be so superficial, sighs Utkarsh Mishra.
Sukanya Verma had multiple migraines making sense of the utterly daft, warped and awful Ek Villain Returns.
All its many characters, though portrayed by an able cast, are, ultimately, mere outlines devoid of nuance or depth, points out Sukanya Verma.
Once you are done paying your respect to God and Grasshoppers, you circle back to the human beings in Gold, and that's when things become progressively more and more muddled, observes Sreehari Nair.
There is a kind of audacious large-scale experimentation which is admirable, even if the novelty and potential of the idea are not fully realised, notes Deepa Gahlot.
A crime thriller which is somewhat engaging and mostly predictable!
The Gray Man is mindless fun, worth your monthly Netflix subscription, notes Aseem Chhabra.
The Rings of Power has a visual distinction and vibe entirely of its own, observes Sukanya Verma.
Where Laal Singh Chaddha succeeds most is heart, notes Sukanya Verma.
Once the shock value and comic potential of a woman selling condoms runs out, Janhit Mein Jaari loses its mojo, observes Deepa Gahlot.
Looop Lapeta is wacky, funny and vibrant, all at the same time, observes Namrata Thakker.
A screenplay and superstar in perfect tandem, it doesn't get better than this, applauds Sukanya Verma.
Just what is Akshay Kumar up to in Bachchhan Paandey, wonders Prasanna Zore.
Candy is worth binge-watching because it offers a good mix of drama, mystery and intrigue, observes Namrata Thakker.
You neither get goosebumps nor the adrenaline rush of desh bhakti, which a film like Sardar Udham should give every Indian, observes Syed Firdaus Ashraf.
The Kashmir Files is not an easy film to watch. It makes you realise that if we are alive today, it's a privilege and not something that should be taken for granted, observes Joginder Tuteja.
There's too much going on in Anek, and a lot of it is terribly disjointed, complains Sukanya Verma.
A film that calls itself Dehati Disco cannot be taken seriously, says Deepa Gahlot.
Shamshera's problem is a shocking inability to support its bombastic ideas with gripping drama. The result is the wastage of not one but two Ranbir Kapoors, observes Sukanya Verma.
Ghar Waapsi is strewn in pithy wit. And believable scenes of pyaar and takraar, observes Sukanya Verma.
Ranjish Hi Sahi is a feeble attempt at showcasing a sensitive love story, complains Namrata Thakker.
Brahmastra is a work of star-struck ambition and high-octane energy whose razzle-dazzle hits many happy notes, observes Sukanya Verma.
A lot of scenes in the film reminded me of Mani Ratnam's pattern and treatment of love stories -- love at first sight, the talkative partner, picturesque song sequences and of course, longing and heartbreak, observes Divya Nair.
Satyamev Jayate 2 has a dated, circa 1990s script which won't find acceptance with today's generations, observes Syed Firdaus Ashraf.
There's wisdom to be found in an unfairly treated man's short and sweet concluding words -- a nation is only as great as our appreciation of the people who make it great, notes Sukanya Verma.
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